Showing posts with label Grotesque. Show all posts
Showing posts with label Grotesque. Show all posts

Wednesday, 6 February 2008

Funky Victorian Welsh Performance Artists' Enclave in Llandaf North Continues to Provoke and Impress with Sexy Exhibits



When I arrived in Wales almost four years ago to begin my doctoral studies, one of the first places I wandered into was the old Victorian laundry turned into a combination studio and gallery, called Tactile Bosch, located in Llandaf, which I reached by biking along the Taff Trail.

We have a similar enclave in South Florida called the Bake House and I knew several of the Welsh artists after promoting their work at a gallery show in Manhattan, so I was keen to see what all the excitement was about in South Wales.

Apparently South Wales has a long and established pedigree as British artists' preferred place for living and working, going back to the 1960s art explosion associated with the Barry College Summer School, which Dr. Heike Roms has documented in her recent research.

Read more about Dr. Roms remarkable investigation here:

What's Welsh for Performance? - 40 years of Performance Art in Wales

When I'm lucky enough to be relaxing at our home in Miami Beach during the annual winter Basel Art Festival, my fashionable or Bohemian NYC artist friends tell me that if they moved to Europe they would move to Berlin, for its cheap cost of living and high standard of living related to the growing cluster of artists who have moved there from around the world, along with Berlin's great mix of unverisities, museums, and quirky neighborhoods, etc.

From what my Welsh artist friends tell me, Cardiff and South Wales have a similar appeal (albeit on a smaller scale when compared to Miami Beach or Berlin) for British artists who want to live and create somewhere in the UK that's both affordable and stimulating, but aren't quite ready to learn to speak German . . .

Which brings me to back to those wild and crazy but extremely talented folks who create and exhibit at Llandaf's Tactile Bosch.

Check out their latest exhibit, you won't regret it!

Exhibit background notes:

Trace / Taenu opened in London on the 23rd of May 2007 in the Woburn Studios, Bloomsbury, and ran until the 26th of May 2007.

Organized by MA students from the SLADE School of Fine Art, the exhibition featured those from the ‘media’ department, who work and experiment with photography, film, performance, video, installation and sound.

After the success the London show the SLADE collective retained a hard-core group of 28 practitioners taking the exhibition to Stolzestrasse 11, [Konstablerwache] in Frankfurt.

They will showcase a site specific version of the new work produced during 2007 @ tactileBOSCH from Sat 16th - Sat 24th Feb. Opening @ 6.30pm on Saturday 16th Feb.


[Pictured above: Situated in a reclaimed Victorian Laundry in the Llandaff North section of Cardiff UK, opened as a fledgling art facility in June 2000. Primarily used as artists studios and an alternative exhibition space filling that time honoured tradition of artist led space . . .]

Recognising common subjects of investigation, which had emerged in the preceding months, the general term ‘contrast’ was selected as a working title by the artists.

The term referred to obvious formal contrasts explored such as black and white and light and shadow, and regarding content- contradictions and exaggerations, fiction and reality.

After in-depth discussion emphasis was placed on the play with light, use of black-and-white studies and a sense of theatricality, as the major themes or interests of the exhibition.

The title "Taenu" [meaning trace elements or dust left covering remains] was developed, capturing the essence of the "quiet" statements observed in all participating artists and their work.

Showing experimental films, videos, installations, photographs and drawings.
The exhibition highlights the strong shift in creative expression and social sensitivity seen in the last few years.

Young artists are no longer interested in using complex interweaving, aggressive methods and shock tactics in their art but follow a more rigid, calculated and understated direction: although leaving traces quietly, they are no less determined.

The work appears "natural", its casualness is convincing, as art should not be any more exerted; but is volatile, surprising, precise and significant.

Since the participating artists originate from many different countries, it will be a chance to see international post graduate students evolve work in situ @ the studio before taking the exhibition up to Liverpool to showcase their endeavours further during Liverpool’s’ City of Culture 2008.


[Pictured above: An old photograph of the late Victorian laundry while it still operated, and before being turned into an eclectic-cum-Early-Edwardian-minimalist-centre for a local Welsh art explosion.]

Several participants intend to take the exhibition to their home cities.

Which range from Korea – Japan, Poland to Spain drawing attention to the wide range of talent emerging from the Slade School of Fine Art to the international art arena.

Trace / Taenu
An Exhibition @ tactileBOSCH
by the SLADE MA Fine Art & Media Collective.
Opens: Sat 16th Feb @ 6.30pm

If you go:

tactileBOSCH is located on Andrews Rd, Llandaff North Cardiff Tel. +44 07951 256255

Arrivals by train to Cardiff Central Station plus a local link up to Llandaff Station;

Local Bus #25 takes you from town centre up Cathedral Rd and drops right at the end of Andrews Rd opposite Glan Taff School;

Bike Ride up the Taff Trail but don't forget to pull off at Hayley Park [by the Tennis Courts]

Take a sweater the heating in the old building is funkkier than the folks who perfrom and exhibit there -- of course, there's usually a wine bar or cuppah to be had. Tell them I sent you . . .

Tactile Bosch Cardiff art Studio and Gallery Space


AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2008 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2008 Dr. Mark Leslie Woods

Wednesday, 12 December 2007

Glamorgan Conjures Spring Film Conference, "Witches and Queens, Whores and Libertines: Early Modern History on Screen" 3-4 April 2008


Historical films and TV series set in the early modern period abound, yet historians have only recently begun to trouble themselves with these popular representations of the past.

Even in film and TV studies, discussion is more about form, technique and aesthetic context than content and message.

What is lacking is a critical dialogue appraising these films and what their choice of subject matter and the way in which it is presented says about contemporary society and its relationship with the past.

This interdisciplinary conference seeks to bring together scholars from the fields of early modern history and literature, media and cultural studies and modern cultural history to discuss the representation of a particular period of history (c.1500-c.1800) on screen (whether in the cinema or on television).

Participants are invited to offer papers on the heritage-film debate, historical film and collective memory, the role of historical productions in making history and its debates accessible, adaptations of early modern texts, the use of historical documentaries, or any other aspect of early modern history on screen.

Please send abstracts of not more than 300 words and a brief CV to the address below.

Papers will be of 20 mins. duration and aimed at promoting discussion.

Deadline for abstracts: 11 January 2008.

Dr Jonathan Durrant
Faculty of Humanities and Social Sciences
University of Glamorgan
Pontypridd
CF37 1DL
United Kingdom

jdurrant[at]glam[dot]ac[dot]uk

AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Dr. Mark Leslie Woods

Saturday, 29 September 2007

New Exhibit Opens Tactile Bosch Old Victorian Buildings Andrews Road Cardiff Sept. 22nd - Oct. 21st



Addiction: How Many Steps?
Old Victorian Buildings Andrews Rd Cardiff Sep 22 nd - Oct 21 st

The second of 3 exhibitions; How Many Steps to…ADDICTION @ tactile BOSCH - takes us from sketch to installation before Dark Victory reveals the final outcome in November 07…asking how long does it take this addiction & how does it manifest itself inside the social order through installation?

I nstallation is made up from multiple disciplines including sculpture, architecture, new media and performance. The many facets of historical and contemporary art have exercised their influence.

The integration of different disciplines including science, technology and architecture has resulted in a new way of exploring and engaging with art resulting in a hybrid discipline.

As a universal term, Installation, incorporates a broad domain of practice within contemporary art, transcending the notion of exhibition / plinth to become a more sophisticated and engaging response to the concept of audience participation and the interaction between things and their contexts.

For the show “ How Many Steps… “ tactile BOSCH has drawn together a select group of multi disciplined artists whose diverse and experimental approach will undoubtedly provoke, inspire and question the complex & multi-faceted notions that make up ADDICTION .



e.g. Teresa Mills ' Lost Object of Desire refers to…

‘The term addiction eludes to the situation where drug procurement and administration appear to govern the individual's behavior, and where the substance seems to dominate the individual's motivational hierarchy.

Two features that distinguish addiction from other behaviors are its extreme motivational strength and its motivational toxicity.

Motivational strength refers to how hard the individual will work to obtain the substance, while motivational toxicity describes the substance's ability to disrupt the individual's normal motivations' (http://addictionscience.net)

How many Steps? Allows each artist full reign to augment, gestate & conceptually breath life into the fabric of the Old Victoria Buildings that house tactile BOSCH. Walls are removed, newly ventilated areas created, attics enhanced all to express that compelling process to produce new work…its obsessive!

The exhibition will be opened @ tactile BOSCH on Sat 22 nd Sept @ 6.30pm with the help of Mr Michael Tooby – Director of the National Galleries & Museum of Wales.



& includes: Tasos Asprou, Phil Babot, Matt Blackler, Samantha Cross, Mr & Mrs Clarke, Andrew Cooper, Ed Elliot, Simon Fenoulhet, Kim Fielding, Tom Harrup, Alison Harris, Richard Higlett, Shani Rhys James, Neil Jefferies, Michael Murray, Teresa Mills, MelvilleMitchell, Jason Pinder, Dave Shepherd, Matt Skelley & Oliver Townsend.

With special guests Endangered Andy Taylor & the Heavy Quartet

NB: NB : In addition – LAPSE - an evening of LiveArt is scheduled for Tues 16 th Oct starting @ 7pm . Designed as a preview for Experimentica 07 [starting @ CHAPTER Arts Centre on Wed 17 th Oct] LAPSE showcases emerging, experimental LIVEart within the frame Addiction… How Many Steps?

LAPSE in time with Tim Bromage, Nezakret Ekici, Beth Greenough, Sam Hassler Rufus Orsborne, Rachel Parry, Karl Price & his Dutchness - Joost Nieuwenburg - LAPSE kick-starts @ 7– 11pm on 16 th Oct [Yep! that's a Tuesday!]

The results of these conceptual explorations can be seen in situ @ tactile BOSCH inside The Old Victorians Buildings , Andrews Rd, Llandaff North, Cardiff, UK [CF14 2JP] from 22 nd Sept - Oct 21 st 2007

e. kim@tactilebosch.org / andrew_cooperrca@hotmail.com

t. studio on +44 [0] 7951 256255 / [0] 7811 387922

Addiction is supported by:

Arts Council of Wales - National Probation Service –

National Museum & Galleries of Wales - 10/10 Architects - copyhousewales

University of Glamorgan – HOS Construction

CIRIC – VisibleArt - Scweeji.com - Regan Fine Art Printers

Taylor Fine Art Framers - Beacon Printers & UWIC.
Tactile Bosch Cardiff art Studio and Gallery Space
AIM: ATRiuM Intelligent Media
Chapter Arts Centre Cardiff
Cardiff School of Creative & Cultural Industries
mwoods[at]glam[dot]ac[dot]uk
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2007 Mark Leslie Woods
Smart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2007 Mark Leslie Woods

Saturday, 26 May 2007

FREE ADMISSION Limited Seating ONE NIGHT ONLY Glamorgan Musical Theatre Wed 6 pm 30 May


Musical Theatre in the Rhondda -- It's outrageous, it's over-the-top camp, it's funny, beautiful music --it's Judy Garland, and more!

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

A stunning new production of the acclaimed one woman musical play. Starring the beautiful and sexy musical comedianne Alex Alderton, winner of the Theatre in Wales's Best Female Perfomer Award (2006).

It's 1969: Alice Dell is rehearsing her Judy Garland 'tribute' cabaret act. Alice is the look-alike, who has spent her whole career waiting for a chance to impersonate Garland -- a chance that only comes with her death!

"A tribute to the lady, but one that does not shy away from the pain, the pills and the shattered marriages . . . the glory of Garland at her best." (The TIMES)

'Someone Else's Rainbow' just closed to sold-out audiences at Neath Little Theatre, but through special arrangement with the Faculty of CCI, you can see Alex Alderton one more time!

Call Cardiff School of Creative & Cultural Industries (CCI) Now, for directions and information -- Theatr y Bont:

01443 480 480

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

About the writer of 'Someone Else's Rainbow', Sam Boardman-Jacobs and Found Reality Theatre Company:

Sam has won awards for both design & direction . He was a founder member of the London Fringe designing for the Bush, Soho, Gate, Warehouse, Hampstead & Kings Head Theatres as well as designing for the Habima & Cameri Theatres of Israel, the Scottish Ballet, the Royal Court London, Teatro Modernes Munich, Theater am Goetheplatz Bremen and the Teatro Espanol Madrid.

He has directed his own plays, Play Federico for me & Passion for the Impossible, at the Sherman Theatre Cardiff. Play Federico was translated and published in Catalan and was selected as part of the official centenary celebrations for the birth of Federico Garcia Lorca. He worked for several years with Manchester Youth Theatre creating a series of award winning Holocaust Dramas including Sobol’s Ghetto, And “Fiddler” a radical reworking of Fiddler on the Roof, the European premiere of Paul Simon’s Capeman and co-devising Asylum at Manchester Royal Exchange with Laura Haughey.

Also with Laura he directed Julia Pascal’s The Dybbuk first at Chapter Arts in Cardiff then by invitation at the Huddersfield Festival of European Plays and then at the Edinburgh Festival.

Found Reality Theatre Company

Cardiff School of Creative & Cultural Industries

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Friday, 25 May 2007

"One day, you'll win the Ohio Welsh Eisteddfod!" my Grandma shouted.


Pictured to the right, Salvation Army Cadet Wilma Jean Poorman Woods, the 'Heralds' class of 1947.

As the third day of January snow silently fell on the grey steel mill stacks in the valley below our wood-frame house in Youngstown, Ohio, out of my bedside transistor radio roared the rock band, Three Dog Night singing, ‘Joy to the World, All the boys and girls!’

It was 1971. I was a pimply and awkward adolescent with a high IQ and thick, industrial-strength geek glasses. Can you say ‘bully-target?’

My mother, the stern, under-nourished Salvation Army Officer, showed up at PTA meetings in a red cape and heels, looking like a character out of Guys and Dolls.

My older brother traded in his uniform and trumpet for leadership of the ghetto gang, the same year I decided it was safer in my family and neighbourhood to stay ‘in the closet’ for a few more years.

My plan was simple: I would wear nothing but hippie ‘Earth Shoes’ and blue jeans and get a macho, racing bike, to prove I was not a piano-playing, slide rule pushing gay-boy freak. I dropped subtle hints to my Mom, who was scrubbing floors by day and going to college by night, when she wasn’t leading prayer meetings.

The wintry day had arrived, my 12th birthday — I was sure I would get my bike. My Mom lead me into the tattered but immaculate, lace-covered living room, where my Welsh Grandma sat, next to the matriarchal sewing machine and family Bibles, to unveil my gift.

What’s this? Not an athletic, pump me up and make me butch bike? There, beside Grandma’s cane sat the Polish neighbour lady, Mrs. Szlowkowsky, sipping my Mom’s strong coffee, while smiling and extending her hand.

My church lady Mom and Mrs. Szlowkowsky waved their pasty white hands, like angels guarding the Biblical Arc of the Covenant, over a large, scratched case with broken brass snaps.

Barely breathing, I popped the snaps and caught a vivid vision of my inevitable years of coming persecution: A refurbished, 12-Bass ‘Festival’ Accordion.

The smell of musty billows and mouldy leather made me choke.

“Mrs. Szlowkowsky has agreed to give you lessons, if you agree to help her clean the choir loft at Saint Stanislaw’s Catholic Church on the corner of our street, once a week,” my mother said.

Mrs. Szlowkowsky smiled and offered me a plate of sliced walnut ‘placek’ (Polish coffee cake).

“It’s a ‘festival’ accordion; you’ll like that!” my Grandma said, as I thought to myself, “Whatever ‘festival’ means . . .”

"One day, you'll win the Ohio Welsh Eisteddfod!" my Grandma shouted.

“Thank you, Mrs. Szlowkowsky,” I heard myself saying, as I drifted away, not knowing this quirky, portable polka-playing keyboard was about to doom me to an adult life suspended somewhere between John Candy’s Rustbelt humour and Liberace’s Las Vegas tastes.

And since I mentioned ‘Candy’, have I told how I once knew this girl . . .

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Your Last Chance to see the Welsh One Woman Tour-de-Force Live on Stage: Alex Alderton is winner of Theatre in Wales Best Female Performer

Pictured Alex Alderton, Winner of Theatre in Wales' Best Female Performer, photograph courtesy

Equity Oriel Cardiff

Musical Theatre in the Rhondda -- It's outrageous, it's over-the-top camp, it's funny, beautiful music --it's Judy Garland, and more!

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

A stunning new production of the acclaimed one woman musical play. Starring the beautiful and sexy musical comedianne Alex Alderton, winner of the Theatre in Wales's Best Female Perfomer Award (2006).

It's 1969: Alice Dell is rehearsing her Judy Garland 'tribute' cabaret act. Alice is the look-alike, who has spent her whole career waiting for a chance to impersonate Garland -- a chance that only comes with her death!

"A tribute to the lady, but one that does not shy away from the pain, the pills and the shattered marriages . . . the glory of Garland at her best." (The TIMES)

'Someone Else's Rainbow' just closed to sold-out audiences at Neath Little Theatre, but through special arrangement with the Faculty of CCI, you can see Alex Alderton one more time!

Call Cardiff School of Creative & Cultural Industries (CCI) Now, for directions and information -- Theatr y Bont:

01443 480 480

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

About the writer of 'Someone Else's Rainbow', Sam Boardman-Jacobs and Found Reality Theatre Company:

Sam has won awards for both design & direction . He was a founder member of the London Fringe designing for the Bush, Soho, Gate, Warehouse, Hampstead & Kings Head Theatres as well as designing for the Habima & Cameri Theatres of Israel, the Scottish Ballet, the Royal Court London, Teatro Modernes Munich, Theater am Goetheplatz Bremen and the Teatro Espanol Madrid.

He has directed his own plays, Play Federico for me & Passion for the Impossible, at the Sherman Theatre Cardiff. Play Federico was translated and published in Catalan and was selected as part of the official centenary celebrations for the birth of Federico Garcia Lorca. He worked for several years with Manchester Youth Theatre creating a series of award winning Holocaust Dramas including Sobol’s Ghetto, And “Fiddler” a radical reworking of Fiddler on the Roof, the European premiere of Paul Simon’s Capeman and co-devising Asylum at Manchester Royal Exchange with Laura Haughey.

Also with Laura he directed Julia Pascal’s The Dybbuk first at Chapter Arts in Cardiff then by invitation at the Huddersfield Festival of European Plays and then at the Edinburgh Festival.

Found Reality Theatre Company

Cardiff School of Creative & Cultural Industries

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Saturday, 24 February 2007

Welsh Cinema of the Grotesque, Theatre of the Absurd, or Both?



"Put together an ageing petty criminal, his Mam and two teenage tearaways and what have you got?"
Why, it's BBC High Hopes: Grotesque, Absurd, Surreal and full of fictive truth.

In 1972 we had a crusty black junk dealer in the L.A. Watts ghetto, played by Red Foxx, called Sanford & Son, which was a re-make of the British Steptoe & Son. Now Welsh comic writer and actor Boyd Clack has created the bizarre, surreal world of High Hopes.

The post-Industrial Welsh Valleys are chronically impoverished and trapped in parallel cycles of systemic malaise (bureaucratic grotesque) and familial dysfunction (familial grotesque). This is the setting for Boyd's quirky flirt with the every-day weirdo's in his comedies -- Similar to the lovable but bizarre folks who populate the BBC comedy 'Shameless.'

Boyd gives us so many manifestations of the filmic grotesque in one show that the mind boggles! The psychological grotesque can be found in his agoraphobic, criminal protagonist. The nervous, chapel, church lady mother is another exaggerated (but true) rendering of the naive, gracious, accommodating, co-dependent and passive-aggressively dominant Mam.

Boyd's parody of the local Heddlu/Police is like Peter Sellers' kooky Pink Panther Inspecteur Couseau, but these bumbling Welsh arbitrators of law & order are inherently wise, folkloric geniuses!

Please see: http://www.bbc.co.uk/wales/highhopes/ and tell me what you think . . .

Monday, 5 February 2007

The Euro-American Cult of the Saints and Celtic Warriors on Film



For this post I'm wondering if you've seen the film Stigmata (1999). Welsh actor Jonathan Pryce plays the Cardinal Daniel Houseman. Stigmata is an intensely grotesque distortion of the female protagonist’s psyche and body. Played by Patricia Arquette, the unwilling heroine becomes the 'channeler' for a martyred male priest. There is a parallel tale of romance where the female is juxtaposed between good priest and bad church, in a thrilling horror joy ride that has a slashy tinge of Film-Noir-meets-Latin-Magical-Realism, about it. Great filmmaking, great storytelling; fuzzy theology, but who cares?

Make no mistake -- Mel Gibson was stealing all his best (and most gruesome) ideas from this bloody horror flick. But Stigmata bears this cross better than Mel, with conspiracy-theory panache. Dublin born Gabriel Byrne is a sexy 'good' priest named Father Andrew Kiernan. This heroic Irish priest character recurs in The Magdalene Sisters (2002) and in Song for a Raggy Boy (2003). Previously this heroic priest idea is invented by Welshman Ceri Sherlock in his Branwen (1994), whose priest is the wize wizard who councils the troubled (and male grotesque) Welsh chapel minister. Of course, Tornatore openly (but gently) mocks the priest in Nuova cinema Paradiso (1988), as Fellini parodied this priest paragon as a conflicted, carnivalesque confidant/hierophant in 8 1/2 (1963).

See: http://www.imdb.com/title/tt0145531/
See: http://www.imdb.com/title/tt0202595/