Showing posts with label Etudes Celtique. Show all posts
Showing posts with label Etudes Celtique. Show all posts

Wednesday, 6 February 2008

Funky Victorian Welsh Performance Artists' Enclave in Llandaf North Continues to Provoke and Impress with Sexy Exhibits



When I arrived in Wales almost four years ago to begin my doctoral studies, one of the first places I wandered into was the old Victorian laundry turned into a combination studio and gallery, called Tactile Bosch, located in Llandaf, which I reached by biking along the Taff Trail.

We have a similar enclave in South Florida called the Bake House and I knew several of the Welsh artists after promoting their work at a gallery show in Manhattan, so I was keen to see what all the excitement was about in South Wales.

Apparently South Wales has a long and established pedigree as British artists' preferred place for living and working, going back to the 1960s art explosion associated with the Barry College Summer School, which Dr. Heike Roms has documented in her recent research.

Read more about Dr. Roms remarkable investigation here:

What's Welsh for Performance? - 40 years of Performance Art in Wales

When I'm lucky enough to be relaxing at our home in Miami Beach during the annual winter Basel Art Festival, my fashionable or Bohemian NYC artist friends tell me that if they moved to Europe they would move to Berlin, for its cheap cost of living and high standard of living related to the growing cluster of artists who have moved there from around the world, along with Berlin's great mix of unverisities, museums, and quirky neighborhoods, etc.

From what my Welsh artist friends tell me, Cardiff and South Wales have a similar appeal (albeit on a smaller scale when compared to Miami Beach or Berlin) for British artists who want to live and create somewhere in the UK that's both affordable and stimulating, but aren't quite ready to learn to speak German . . .

Which brings me to back to those wild and crazy but extremely talented folks who create and exhibit at Llandaf's Tactile Bosch.

Check out their latest exhibit, you won't regret it!

Exhibit background notes:

Trace / Taenu opened in London on the 23rd of May 2007 in the Woburn Studios, Bloomsbury, and ran until the 26th of May 2007.

Organized by MA students from the SLADE School of Fine Art, the exhibition featured those from the ‘media’ department, who work and experiment with photography, film, performance, video, installation and sound.

After the success the London show the SLADE collective retained a hard-core group of 28 practitioners taking the exhibition to Stolzestrasse 11, [Konstablerwache] in Frankfurt.

They will showcase a site specific version of the new work produced during 2007 @ tactileBOSCH from Sat 16th - Sat 24th Feb. Opening @ 6.30pm on Saturday 16th Feb.


[Pictured above: Situated in a reclaimed Victorian Laundry in the Llandaff North section of Cardiff UK, opened as a fledgling art facility in June 2000. Primarily used as artists studios and an alternative exhibition space filling that time honoured tradition of artist led space . . .]

Recognising common subjects of investigation, which had emerged in the preceding months, the general term ‘contrast’ was selected as a working title by the artists.

The term referred to obvious formal contrasts explored such as black and white and light and shadow, and regarding content- contradictions and exaggerations, fiction and reality.

After in-depth discussion emphasis was placed on the play with light, use of black-and-white studies and a sense of theatricality, as the major themes or interests of the exhibition.

The title "Taenu" [meaning trace elements or dust left covering remains] was developed, capturing the essence of the "quiet" statements observed in all participating artists and their work.

Showing experimental films, videos, installations, photographs and drawings.
The exhibition highlights the strong shift in creative expression and social sensitivity seen in the last few years.

Young artists are no longer interested in using complex interweaving, aggressive methods and shock tactics in their art but follow a more rigid, calculated and understated direction: although leaving traces quietly, they are no less determined.

The work appears "natural", its casualness is convincing, as art should not be any more exerted; but is volatile, surprising, precise and significant.

Since the participating artists originate from many different countries, it will be a chance to see international post graduate students evolve work in situ @ the studio before taking the exhibition up to Liverpool to showcase their endeavours further during Liverpool’s’ City of Culture 2008.


[Pictured above: An old photograph of the late Victorian laundry while it still operated, and before being turned into an eclectic-cum-Early-Edwardian-minimalist-centre for a local Welsh art explosion.]

Several participants intend to take the exhibition to their home cities.

Which range from Korea – Japan, Poland to Spain drawing attention to the wide range of talent emerging from the Slade School of Fine Art to the international art arena.

Trace / Taenu
An Exhibition @ tactileBOSCH
by the SLADE MA Fine Art & Media Collective.
Opens: Sat 16th Feb @ 6.30pm

If you go:

tactileBOSCH is located on Andrews Rd, Llandaff North Cardiff Tel. +44 07951 256255

Arrivals by train to Cardiff Central Station plus a local link up to Llandaff Station;

Local Bus #25 takes you from town centre up Cathedral Rd and drops right at the end of Andrews Rd opposite Glan Taff School;

Bike Ride up the Taff Trail but don't forget to pull off at Hayley Park [by the Tennis Courts]

Take a sweater the heating in the old building is funkkier than the folks who perfrom and exhibit there -- of course, there's usually a wine bar or cuppah to be had. Tell them I sent you . . .

Tactile Bosch Cardiff art Studio and Gallery Space


AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2008 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2008 Dr. Mark Leslie Woods

Sunday, 21 October 2007

Rediscovery of Noel Coward Play by Glamorgan’s Cardiff School of Creative & Cultural Industries Scholars Excites International Theatre World



[Pictured above: Professor Mike Wilson, CCI Head of Research; Prof Richard Hand Professor of Theatre and Media Drama, CCI, backstage in Glasgow with Dr Paul Carr Principal Lecturer in Popular Music, CCI.]

Coward Play Rediscovered

September 2007

A Noel Coward play, which has remained untouched for almost 90 years, has been rediscovered by academics at the University of Glamorgan’s Cardiff School of Creative & Cultural Industries.


[Pictured above: Sir Noël Peirce Coward, 16 December 1899 -- 26 March 1973.]



The play, ‘The Better Half’, was discovered in the Lord Chamberlain’s archives in the British Library by Professors Richard Hand and Mike Wilson during research for their latest book, ‘London’s Grand Guignol and the Theatre of Horror’, which includes the text of Coward’s previously unpublished play.



The one-act play was last performed in 1922 by ‘London’s Grand-Guignol’ company, which involved Sybil Thorndike and her husband Lewis Casson.



Professor Wilson explained, “We were conducting research for our book on ‘London’s Grand-Guignol’, a theatre which combined horror and comedy plays on the same bill and were thrilled to have found the manuscript to the play that Coward wrote for the company.



It was probably the only surviving copy of the play and has not been published before.



“This play will no doubt arouse the interest of Coward fans worldwide, especially as it was written at a time when Coward was on the threshold of achieving critical acclaim and fame.”



Now for the first time since the 1920s the play will be performed in London by theatre company ‘The Sticking Place’ as part of their annual Hallowe’en season of horror theatre.

Sticking Place Theatre

Noel Coward Performance (Noel Coward performs some of his song on "Noel Coward & Mary Martin: Together With Music")


This will be a unique opportunity to see the play performed in its original context.



Hand and Wilson’s new book, due to be published in November by the University of Exeter Press, focuses on the attempt to establish a permanent Grand-Guignol theatre in London between 1920 and 1922, an experiment that was ultimately undermined by the censorious eye of the Lord Chamberlain’s Office, the official public censor.



The research was co-funded by The British Academy and the Society for Theatre Research.



tagged: cci research

Issued by: University of Glamorgan, Pontypridd, CF37 1DL
Contact: Press Office on 01443 483362
E-mail: press@glam.ac.uk

Noël Coward Society



For additional info please contact Dr. Mark Leslie Woods at mwoods[at]glam.ac.uk

AIM: ATRiuM Intelligent Media

AIM -- ATRiuM Intelligent Media, Cardiff, Wales, U.K. on Face Book

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Tuesday, 2 October 2007

New Club Starting for Cardiff ATRiuM Arts & Media Students, Faculty and Friends


AIM: ATRiuM Intelligent Media

We are an open and inclusive collective of student artists and student entrepreneurs who band together for social contacts, artistic education and stimulation, entertainment and all things pertaining to the advancement of our dreams and careers in media, journalism, film, television, sound and video recording and distribution, set design, costume design, lighting design, concert, online innovations, photography, architecture, mixed and multi-media and dramatic performance.



AIM -- ATRiuM Intelligent Media

Are you a member of the AIM / ATRiuM Intelligent Media? Why not? It’s free and some your friends are joining – so what are you waiting for?

Just what are the Five Primary Aims of AIM / ATRiuM Intelligent Media?


Our Five Primary Aims


1) We are an open and inclusive collective of student artists and student entrepreneurs who band together for social contacts, artistic education and stimulation, entertainment and all things pertaining to the advancement of our dreams and careers.



2) We devise and launch events and projects related to media, journalism, film, television, sound and video recording and distribution, set design, costume design, lighting design, concert, festival and special events promotions, online innovations, presentational graphics, photography, architecture, mixed and multi-media, dramatic performance, public speaking, performance art, individual or collaborative projects and other diversions.



3) We assist each other in developing and perfecting our art forms and professions.

4) We sponsor, attend and promote artistic, educational and social events, including imagined, narrated, fictional, real and virtual.



5) We assist one another in developing our artistic and professional portfolios, and we share these creations at various networking opportunities; with all these activities, we commit ourselves to the promotion and refinement of our own as well as our colleagues’ artistic portfolios and professional dossiers.



Is AIM a political or religious organization?

While it’s true that our ultimate goal is WORLD DOMINATION balanced with INTRINSIC FULFILLMENT nuanced with MEANINGFUL / MEANINGLESS PLEASURE enhanced by INCREDIBLY GREAT STYLE / LACK OF STYLE, and the inevitable material / spiritual gains / losses that accompany these goals, AIM respects the fact that we’re all on similar / different and interesting / mind-numbingly-boring paths; to this end, we neither affirm, deny or espouse any one political view or religious / non-religious, irrational / rational viewpoint.



Is AIM an arts club, a social fetish, a secret society, or a Cult of Personality?

It’s all of these things and none of these things. It has never existed and it has always existed. If it ceased to exist tomorrow, in the GREAT UNIVERSAL SCHEME OF THINGS, hardly anyone would care.



How do I join?

Email our Faithful Leader and Esteemed Founder, Dr. Mark Leslie Woods at mwoods[at]glam.ac.uk

AIM: ATRiuM Intelligent Media

AIM -- ATRiuM Intelligent Media, Cardiff, Wales, U.K. on Face Book



What happens next?

When Dr. Mark collects a sufficient number of interested students’ names and details, he will announce an initial organizational meeting.

He’ll probably call or write to you before the end of October 2007, just in time to plan your Halloween costume.



Please include at least your name, alias, email address, mailing address, interests, Zodiac sign, your favourite ice cream flavour and hat / rollerblade size. Dr. Mark will use his extraordinary intuition to guess in which century you were born.



Where will the meetings be held?

The first meeting will be held at either ATRiuM or Ty Pont Haearn in the Cardiff City Centre. ATRiuM students and Ty Pont Haearn residents will host the first meetings to assist the launch of our collective.



Later meetings will held in Newport, London, Aberystywth, Port Meirion, Castle Harlech, Salisbury Plains, among the Roman ruins of Caerleon and the Norman ruins of Ogmore Castle, online, via pod-casts and video-conferences, in eventually in Copenhagen, Seattle, Los Angeles, New York, Miami, Toronto, Prague, Southern Italy, Barcelona and Amsterdam.



Conversations will take place in the past, present, future, conditional, imperative, pluperfect, and in other dimensions.



Can anyone be a member of this collective?

Well, the collective intends to include all interested residents of Ty Pont Haearn and other local student residences, communes, and shared living arrangements in the Cardiff City centre area.



Students or faculty can be affiliated with ATRiuM, UWIC, Coleg Glan Hafren, Cardiff University, Swansea University, Swansea Institute, Newport School of Art, Media and Design, or other institutions. Enthusiastic, dynamic and artistic friends and families of these students are also welcome to join.

What will be the social and political ethos / mythos of this collective?



Our collective will vacillate between historical notoriety and contemporary obscurity. We will foster greatness and encourage Misfits and other Outcasts. Invariably power struggles, nepotism, clicks, sub-groups, spin-offs, copycats, crass commercialism and other controversies will overtake our collective.



Does any of this strike your fancy?

Read more here: http://aim--atriumintelligentmedia.blogspot.com/2007/09/new-club-starting-for-cardiff-atrium.html

AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Dr. Mark Leslie Woods

Saturday, 29 September 2007

New Exhibit Opens Tactile Bosch Old Victorian Buildings Andrews Road Cardiff Sept. 22nd - Oct. 21st



Addiction: How Many Steps?
Old Victorian Buildings Andrews Rd Cardiff Sep 22 nd - Oct 21 st

The second of 3 exhibitions; How Many Steps to…ADDICTION @ tactile BOSCH - takes us from sketch to installation before Dark Victory reveals the final outcome in November 07…asking how long does it take this addiction & how does it manifest itself inside the social order through installation?

I nstallation is made up from multiple disciplines including sculpture, architecture, new media and performance. The many facets of historical and contemporary art have exercised their influence.

The integration of different disciplines including science, technology and architecture has resulted in a new way of exploring and engaging with art resulting in a hybrid discipline.

As a universal term, Installation, incorporates a broad domain of practice within contemporary art, transcending the notion of exhibition / plinth to become a more sophisticated and engaging response to the concept of audience participation and the interaction between things and their contexts.

For the show “ How Many Steps… “ tactile BOSCH has drawn together a select group of multi disciplined artists whose diverse and experimental approach will undoubtedly provoke, inspire and question the complex & multi-faceted notions that make up ADDICTION .



e.g. Teresa Mills ' Lost Object of Desire refers to…

‘The term addiction eludes to the situation where drug procurement and administration appear to govern the individual's behavior, and where the substance seems to dominate the individual's motivational hierarchy.

Two features that distinguish addiction from other behaviors are its extreme motivational strength and its motivational toxicity.

Motivational strength refers to how hard the individual will work to obtain the substance, while motivational toxicity describes the substance's ability to disrupt the individual's normal motivations' (http://addictionscience.net)

How many Steps? Allows each artist full reign to augment, gestate & conceptually breath life into the fabric of the Old Victoria Buildings that house tactile BOSCH. Walls are removed, newly ventilated areas created, attics enhanced all to express that compelling process to produce new work…its obsessive!

The exhibition will be opened @ tactile BOSCH on Sat 22 nd Sept @ 6.30pm with the help of Mr Michael Tooby – Director of the National Galleries & Museum of Wales.



& includes: Tasos Asprou, Phil Babot, Matt Blackler, Samantha Cross, Mr & Mrs Clarke, Andrew Cooper, Ed Elliot, Simon Fenoulhet, Kim Fielding, Tom Harrup, Alison Harris, Richard Higlett, Shani Rhys James, Neil Jefferies, Michael Murray, Teresa Mills, MelvilleMitchell, Jason Pinder, Dave Shepherd, Matt Skelley & Oliver Townsend.

With special guests Endangered Andy Taylor & the Heavy Quartet

NB: NB : In addition – LAPSE - an evening of LiveArt is scheduled for Tues 16 th Oct starting @ 7pm . Designed as a preview for Experimentica 07 [starting @ CHAPTER Arts Centre on Wed 17 th Oct] LAPSE showcases emerging, experimental LIVEart within the frame Addiction… How Many Steps?

LAPSE in time with Tim Bromage, Nezakret Ekici, Beth Greenough, Sam Hassler Rufus Orsborne, Rachel Parry, Karl Price & his Dutchness - Joost Nieuwenburg - LAPSE kick-starts @ 7– 11pm on 16 th Oct [Yep! that's a Tuesday!]

The results of these conceptual explorations can be seen in situ @ tactile BOSCH inside The Old Victorians Buildings , Andrews Rd, Llandaff North, Cardiff, UK [CF14 2JP] from 22 nd Sept - Oct 21 st 2007

e. kim@tactilebosch.org / andrew_cooperrca@hotmail.com

t. studio on +44 [0] 7951 256255 / [0] 7811 387922

Addiction is supported by:

Arts Council of Wales - National Probation Service –

National Museum & Galleries of Wales - 10/10 Architects - copyhousewales

University of Glamorgan – HOS Construction

CIRIC – VisibleArt - Scweeji.com - Regan Fine Art Printers

Taylor Fine Art Framers - Beacon Printers & UWIC.
Tactile Bosch Cardiff art Studio and Gallery Space
AIM: ATRiuM Intelligent Media
Chapter Arts Centre Cardiff
Cardiff School of Creative & Cultural Industries
mwoods[at]glam[dot]ac[dot]uk
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase
© 2007 Mark Leslie Woods
Smart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2007 Mark Leslie Woods

For October More Experimental Films Screened at Cardiff Chapter Arts


You are invited to a screening of a short film
(a collaboration between various CCI staff):

CROSSING (2007)
Dur: 24 ½-minutes
Directed by: Wyn Mason & Ian Wiblin
Music by: Ben Challis & Rob Smith

A man and a woman take a short cut across a scarred landscape. Despite treading the same ground and seemingly sharing the same space, they remain quite separate, absorbed in their own emotional worlds. Without the aid of dialogue to unlock the characters’ thoughts, viewers can only scrutinize the locations they journey through. Slowly, step-by-step, through closely observing the shape and texture of rock, the lie of disregarded railway sleepers or wind blown grass, we begin to delineate the contours of their inner landscapes.

The film is accompanied by live music.

Exhibition: Experimentica
Venue: Chapter Arts
Date: Saturday 20th Oct 2007
Time: 4 pm

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Tuesday, 21 August 2007

Welsh Opera and Symphonic Giant Karl Jenkins and Welsh Films' Marc Evans Add Hollywood Star Appeal to Morgannwg's Autumn Grand Opening



Pictured above: Welsh composer Karl Jenkins and Welsh Film Director Marc Evans.

Stars Support new Cardiff School

August 20, 2007

When the University of Glamorgan opens the doors to its new Cardiff School of Creative & Cultural Industries this September, some of the UK’s best known industry professionals will be at its helm.

The University has appointed an ‘Advisory Board’, made up of visiting Professors who will advise the school on industry demands.

These five people will be: Dr Karl Jenkins, musician and composer, Robin Lyons, creator of SuperTed, Marc Evans film director, Terry Hands theatre director and Welsh actor Daniel Evans.

The Visiting Professors have already voiced their support for the new School, which will be a state-of-the-art hub for all creative and cultural courses at Glamorgan.

Here’s what the new Visiting Professors had to say:

Dr Karl Jenkins

“Having examined the technical and physical specifications of the ATRiuM, I believe it will play an important role in the development of musicians and composers in Wales. Its prominent position in the centre of Cardiff provides close proximity to the numerous creative and cultural events in the City, and the configuration of the music provision is first class. Essentially, the interdisciplinary configuration of the ATRiuM building will enable budding musicians to study in a ‘real world’ environment.”

Karl Jenkins - Adiemus


Robin Lyons

“There are currently many courses in animation available, but few that are focused on the needs of the industry. We see the M.A. course at the new Atrium as an opportunity not just to train animators to work in our ever-changing industry, but to educate people who will help bring about change, and take our industry forward.”

Marc Evans

“For a small nation like Wales, a thriving film and television industry is vital and the opening of the ATRiuM can make a major contribution on the road to achieving that. It is especially exciting to see a facility where student writers, actors, designers and musicians can work on projects together.”

Snowcake clip "Dazlious" directed by Marc Evans and starring Sigourney Weaver


Daniel Evans

“The ATRiuM is a fantastic facility for up and coming young actors in Wales and beyond. The fact that actors will be able to train alongside creative people of other disciplines will not only enrich their education but also provide a great preparation for their future in the industry. I look forward to working with the faculty and to seeing the wealth of young talent which is generated there.”

Terry Hands CBE

“As theatre becomes more important, ATRiuM can play a significant role in developing future talent and future vision in Wales.”

tagged: cci

Content Issued by: University of Glamorgan, Pontypridd, CF37 1DL
Contact: Press Office on 01443 483362
E-mail: press@glam.ac.uk

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Sunday, 1 July 2007

Yn Mapio Ffilmiau Cymreig fel ‘an Irish Shangra-La’ / Mapping Cinematic Wales as ‘an Irish Shangra-La’


Pictured above: New Welsh Film Book by Dr. Gwenno Ffrancon Jenkins, Swansea University

In her recent book, 'Cyfaredd y Cysgodion - Delweddu Cymru a'i Phobl ar Ffilm, 1935 – 1951', film scholar Gwenno Ffrancon Jenkins points to the ‘othering’ of the Welsh by director John Ford in the film How Green was My Valley (1941).

Ford adapted an indigenous Welsh novel by author Richard Llewellyn, but directed and cast the script in such a way to create not a Welsh story, but an Irish story in a Welsh motif, what Berry has called ‘an Irish Shangra-La’ (Berry 1994: 17).

Ffrancon Jenkins reflects this in her statement:

'mai ffilm am Gymru drwy lygaid a lleisiau Gwyddelig a gynhyrchwyd yn y diwedd . . . A dyma un o'i diffygion pennaf.'

'It is a film on Wales through the Irish eyes and voices and direction right to the end.' (Ffrancon-Jenkins 2003: 18) [all Welsh to English translations by the author of this study, unless otherwise noted].

So in Ffrancon Jenkins’ opinion, Ford has rendered the Welsh as ‘contributors’ to his Irish fable, similarly to the ‘primitive’ but proper Welshwomen-known-as-Englishwomen in ‘Outsider’ François Truffaut’s film 'Les Deux Anglaises et le Continent' (1971), and she writes about ‘Welsh Cinematic Outsider’ Ford’s characterization of the Welsh people:

"Y canlyniad yw ‘darluniau afreal’ o'r Cymry fel ‘simple, primitive people’."

"Consequently it is an ‘unreal portrayal’ of the Welsh as ‘simple, primitive people.’" (Ffrancon-Jenkins 2003: 19)

Ford based his film upon Llewellyn’s novel. Llewellyn was a Welshman born into the London Welsh Diaspora, and he did sufficient ‘cultural tourism’ while visiting his grandfather in the South Wales mining community of Gilfach-goch, to base his novel on this village.

So while Ford and Llewellyn are both ‘Outsiders’ to varying degrees, Llewellyn is an important type of ‘Insider’ who went away from Wales and became an ‘Outsider’ (as a scriptwriter for the American studio, MGM), which permitted him to peddle his narrative wares to the global, cinematic imperial powers in Hollywood, in this case the iconic John Ford, best known for his Hollywood Westerns.

'Cyfaredd y Cysgodion - Delweddu Cymru a'i Phobl ar Ffilm, 1935 – 1951' is a thorough and highly readable social and cultural study of the influence of the cinema on the lives of Welsh people between 1935 and 1951, and how Wales and her people have been portrayed by film makers. 25 black-and-white illustrations.

Mae 'Cyfaredd y Cysgodion - Delweddu Cymru a'i Phobl ar Ffilm, 1935 – 1951' astudiaeth gymdeithasol a diwylliannol drylwyr a hynod ddarllenadwy o ddylanwad y sinema ar fywyd pobl Cymru rhwng 1935 a 1951, ac ar y modd y delweddwyd Cymru a'i phobl gan wneuthurwyr ffilm. 25 llun du-a-gwyn.

‘Robustly historical view of Welsh cinematic heritage . . . the first social and industrial study of the formative years of the genre in Wales . . . Gwenno Ffrancon has used every archive available to her, and she treats the ‘unknown’ with a great deal of empathy and understanding . . . this volume certainly succeeds in rediscovering the beginnings of the ‘forgetting chambers’ in Wales.’ (New Welsh Review)

Y mae Gwenno Ffrancon, brodor o Flaen-plwyf ger Aberystwyth, yn ddarlithydd ffilm yn Adran Cyfathrebu a’r Cyfryngau, Prifysgol Cymru, Bangor.

Gan Gwales: 'All neb ddadlau â honiad y broliant fod hon yn 'gyfrol arloesol'. Mae'r ymdriniaeth drylwyr, ddychmygus, amlonglog hon â detholiad o ffilmiau o Gymru ac am Gymru rhwng 1935 a 1951 yn gamp gyflawn ynddi'i hun, ond y mae hefyd yn agor maes enfawr a chyfoethog i eraill ymchwilio ynddo . . .'

'Mae hi'n gyfrol a fydd o ddiddordeb i rychwant llydan o ddarllenwyr, ond yr hyn sy'n rhoi rhuddin iddi yw ysgolheictod gadarn ac ymchwil fanwl ei hawdur.'

'Mae'r rhestr ffynonellau ar ddau gyfandir yn tystio i barodrwydd Gwenno Ffrancon i fynd yr ail a'r drydedd filltir er mwyn medru llunio darlun mor gynhwysfawr, mor gyflawn ei gyd-destunau â phosibl o'i phwnc. Mae ei gallu i wisgo het y beirniad ffilm a het yr hanesydd diwylliannol gyda'r un argyhoeddiad yn ei galluogi i wneud cyfiawnder â'i thestun.’

www.gwales.com




Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Friday, 22 June 2007

For Immediate Release: The New Welsh Blog Awards 2007 Organizers Announce Internet Competition Launch Today



Pictured above, Red Dragon Logo for the Welsh Blogs Awards and an image capture of the Welsh blog 'Blamerbell Briefs', recent winner of the prestigious "The Centre de Formation des Journalistes (CFJ) and CNN" -- "CFJ/CNN European award for the best student news blog"

For Immediate Release: Welsh Blog Award Organizers Announce Competition Launch

Wales, United Kingdom. His name is Sanddef (pronounced San-they) and he's fluent in at least four languages and lists Quantum Physics among his hobbies, as well as being a student in Bangor.

But online his blogosphere mates know him as the affable 'Ordovicius', and these days, with a blog by the same Latin name, he's dedicating a discrete amount of his energy to creating and launching the first Welsh Blog Awards 2007, or as it's called in Welsh, Yr Academi (the event and group are bilingual, Welsh/English).

Ordovicius

It's still not clear whose brainchild the Welsh Blog Awards is, but the online rumour mills also point to another Welsh wunderkind, Dr. Daniel Cunliffe at the University of Glamorgan. Cunliffe has a blog called Datblogu.com.

Datblogu.com

Other Welsh bloggers have already joined the group and are putting their energies and ideas into the launching the event.

Chris Cope is an American who taught himself to speak Welsh, and is now doing a degree in Wales, after relocating with his wife to South Wales.

Chris Cope

Another Welsh blogger involved in the awards is Cardiff University journalism student Ciaran Jenkins, aka "Blamerbell Briefs.com."

Blamerbell Briefs is the Welsh blog mentioned above, which is exemplary of the fine blogospheric world being generated by the tiny Celtic nation of Wales.

CFJ/CNN writes: "Ciaran's blog has become one of the most popular blog in the region of Cardiff. Politicians intervene on it, Medias respect it and the author is pretty amazed by his success which he would not have envisaged a few months back."

Blamerbell Briefs

Alan is a Welsh ex-pat in Brazil, fluent in Welsh and Portuguese, with a blog called Y Ddraig Goch, or Welsh for "The Red Dragon", the iconic symbol of the Welsh nation, going back to Roman times.

Y Ddraig Goch

Mark Woods lives in Miami Beach but has spent the past four years in Wales completing a Ph.D. in Film.

Woods says, "My film students forced me to become a 'New Media expert' since now we regularly digitally format and load our short films onto sites like YouTube and Yahoo Video. In today's world, Blogging and Film Studies go hand-in-hand."

Woods has a Welsh American Genealogy blog. Woods is using his background as a former owner of a public relations service in Miami, to help promote the fledgling group online.

Welsh American Genealogy

Woods says, "When I got to Wales I looked around and it reminded me of Microsoft in Seattle. The high quality of life, the mountains, the mild, wet weather and the obsession wth coffee bars and computer geeks is just like the Pacific Northwest, only it's in Western Europe!"

Woods says' "The group is in their early days and is looking for corporate sponsors and new members. Anyone can volunteer. We'd like to see local merchants and tourism companies from across Wales, all being encouraged to donate prizes and cash to assist the group."

Various social events and networking parties are being discussed, along with a showcase 'Awards Night'.

Many other Welsh bloggers, not mentioned here, have already helped to launch the awards project. Categories reflect the national bilingualism of Welsh and English, and include comic, political and cultural topics.

Group members tell how this is a reaction to other British blog awards centered mostly in London, which leave out the Welsh aspect, or miss the local talent.

Woods points to a similar situation with the film industry in Wales:

"There are the British BAFTA Awards and there are the BAFTA Cymru (Wales) Awards, and both are important to the worldwide valuation of films in Europe and abroad."

"The Welsh Blog Awards could easily grow to a similar global prominence as BAFTA Cymru," Woods predicts.

To join the Academy you will have to open a FaceBook account and then visit
http://www.facebook.com/group.php?gid=2393167778

Welsh Blog Awards 2007

NOTE: YOU WILL HAVE TO JOIN THE 'WALES' NETWORK

Bloggers who for any reason are unable to join this group but who wish to join the Academy should email Sanddef aka Ordovicius(at)gmail(dot)com

The Welsh Blog Awards 2007 have decided their set of categories and announced how you can become part of the "Academy" which enables you to nominate and vote.

Group Info: Yr Academi: The Welsh Blog Academy

Type: Internet & Technology - Cyberculture

Description: Bydd aelodau'r academi yn gallu enwebu blogiau ar gyfer y Gwobrau Blogio ac wedyn yn gallu bwrw eu pleidlais.

Members of the Welsh Blog Academy will be able to nominate blogs for the Welsh Blog Awards and later will be the ones who vote for the finalists.

Contact Info:
Email: Ordovicius(at)gmail(dot)com
Website: http://welshblogawards2007.blogspot.com/

Yr Academi: The Welsh Blog Academy

Press Contact:
Mark Woods, Cardiff School of Creative & Cultural Industries, University of Glamorgan

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Monday, 18 June 2007

Sci-Fi Fans Debate BBC Wales Dr. Who: Lazy Low-Budget or Funky British 1950s meets 2007 Retro-Futurism?



Pictured above: the current BBC Wales retro-futuristic 1950s British Police Box TARDIS Time Machine and comic book cover of H.G. Wells' Time Machine.

In the Sci-Fi blog called

Difference Engine,

pgrehan writes:

"I’ve learnt that you have to look past the sillier aspects of a Russell T.Davies Doctor Who story. Like, for example, at the very end of the Universe, countless billions of years in the future, you will find human beings as we know them today."

pgrehan also tells us that :

"Human beings driving 21st century trucks and firing 21st century weapons, just before they board their interstellar (can you still say that when there aren’t any stars left?) spacecraft. The explanation given for this is that human beings have somehow re-evolved into their favourite form, but this smacks of a lazy writer using technobabble to reduce science fiction to a branch of fantasy."

So we see that the writer 'pgrehan' (above) makes some good Sci-Fi Theory / critical points, but from an American perspective, Dr. Who has always reminded me of a broadcast British sci-fi style which smacks of intentionally low-budget retro-futurism.

Kubrick’s low-key approach to ‘Future Britain’ in Clockwork Orange (1971) is probably the best British example of intentional retro-Futurism, but Woody Allen also uses it to comic effect in Sleeper (1973).

In other words, not attempting to create futuristic verisimilitude, and settling for what you describe as ‘lazy’, is actually a self-reflective activity of the film’s author.

European filmmakers observed how Japanese Monster films played in the post 1960s U.S. television market, and resisted being pushed (by budgetary limits) into becoming a similar caricature of themselves.

To accomplish this, directors like Hitchcock opted for a minimalist understatement, which masked the relatively low-budget, low quality special FX of their productions, and The Birds (1963) is a good example.

Dr. Who on the other hand, has always been read as a ‘Jules Verne’-style retro-Futurism by American audiences, and that funky and clunky lack of attention to details has made the story more important than the FX and mise-en-scene.

Willy Wonka is the height of self-deprecating Victorian retro-Futurism, displayed in the first film (1971), but sort of parodied by Tim Burton in a gritty, timeless past/future Industrial reality in Charlie and the Chocolate Factory (2005).

The current Dr. Who might be seen as derivative of Terry Gillam’s Brazil (1985), which trademarked funky Brit retro-future sci-fi for good.

So from our perspective, Russell is simply following an established tradition, and giving his larger U.S. audience what they expect of this brand of Brit Sci-fi.

Our North American readers who are fans of Dr. Who should be sure to check out the UK Sci-fi blog

Difference Engine,

Gyda bob hwyl i bawb, Marc Miami ym Mhontypridd

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Saturday, 2 June 2007

GWYRTH: Cai Tomos, John Collingswood & Tom Raybould y Cwmni Dawns Diversions ar Llwyfan Heno


Double Bill: Monument + GWYRTH miracle

Fri 1 + Sat 2 June
8pm
Gwe 1 + Sad 2 Mehefin

Annie Pui Ling Lok: Monument

Monument provides a temporary landmark for London-based choreographer Annie Lok on a short tour around sites of personal, cultural and historical value. Souvenirs of particular places and occasions are revisited and represented through movement, attempting to recall and organize a non-chronological archive of memories.

Cai Tomos, John Collingswood & Tom Raybould: GWYRTH miracle

“I don’t know what it is that brings me back to life.”

A new collaboration between Cardiff-based choreographer and dancer Cai Tomos, visual artist John Collingswood and musician Tom Raybould. GWYRTH explores the moments in our lives when we are touched by the miraculous.

£10/£8/£6

Horizons 3 for 2 Ticket Offer :

Buy tickets to two events and get a free ticket to any performance at Chapter or Diversions Dance House (at Wales Millenium Centre). The Diversions programme features The Mark Bruce Company (Tue 29 May) and Dance Bristol (Mon 18 + Tue 19 June).

Call Chapter Box Office on 029 2030 4400 for full details.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Saturday, 26 May 2007

FREE ADMISSION Limited Seating ONE NIGHT ONLY Glamorgan Musical Theatre Wed 6 pm 30 May


Musical Theatre in the Rhondda -- It's outrageous, it's over-the-top camp, it's funny, beautiful music --it's Judy Garland, and more!

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

A stunning new production of the acclaimed one woman musical play. Starring the beautiful and sexy musical comedianne Alex Alderton, winner of the Theatre in Wales's Best Female Perfomer Award (2006).

It's 1969: Alice Dell is rehearsing her Judy Garland 'tribute' cabaret act. Alice is the look-alike, who has spent her whole career waiting for a chance to impersonate Garland -- a chance that only comes with her death!

"A tribute to the lady, but one that does not shy away from the pain, the pills and the shattered marriages . . . the glory of Garland at her best." (The TIMES)

'Someone Else's Rainbow' just closed to sold-out audiences at Neath Little Theatre, but through special arrangement with the Faculty of CCI, you can see Alex Alderton one more time!

Call Cardiff School of Creative & Cultural Industries (CCI) Now, for directions and information -- Theatr y Bont:

01443 480 480

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

About the writer of 'Someone Else's Rainbow', Sam Boardman-Jacobs and Found Reality Theatre Company:

Sam has won awards for both design & direction . He was a founder member of the London Fringe designing for the Bush, Soho, Gate, Warehouse, Hampstead & Kings Head Theatres as well as designing for the Habima & Cameri Theatres of Israel, the Scottish Ballet, the Royal Court London, Teatro Modernes Munich, Theater am Goetheplatz Bremen and the Teatro Espanol Madrid.

He has directed his own plays, Play Federico for me & Passion for the Impossible, at the Sherman Theatre Cardiff. Play Federico was translated and published in Catalan and was selected as part of the official centenary celebrations for the birth of Federico Garcia Lorca. He worked for several years with Manchester Youth Theatre creating a series of award winning Holocaust Dramas including Sobol’s Ghetto, And “Fiddler” a radical reworking of Fiddler on the Roof, the European premiere of Paul Simon’s Capeman and co-devising Asylum at Manchester Royal Exchange with Laura Haughey.

Also with Laura he directed Julia Pascal’s The Dybbuk first at Chapter Arts in Cardiff then by invitation at the Huddersfield Festival of European Plays and then at the Edinburgh Festival.

Found Reality Theatre Company

Cardiff School of Creative & Cultural Industries

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Friday, 25 May 2007

"One day, you'll win the Ohio Welsh Eisteddfod!" my Grandma shouted.


Pictured to the right, Salvation Army Cadet Wilma Jean Poorman Woods, the 'Heralds' class of 1947.

As the third day of January snow silently fell on the grey steel mill stacks in the valley below our wood-frame house in Youngstown, Ohio, out of my bedside transistor radio roared the rock band, Three Dog Night singing, ‘Joy to the World, All the boys and girls!’

It was 1971. I was a pimply and awkward adolescent with a high IQ and thick, industrial-strength geek glasses. Can you say ‘bully-target?’

My mother, the stern, under-nourished Salvation Army Officer, showed up at PTA meetings in a red cape and heels, looking like a character out of Guys and Dolls.

My older brother traded in his uniform and trumpet for leadership of the ghetto gang, the same year I decided it was safer in my family and neighbourhood to stay ‘in the closet’ for a few more years.

My plan was simple: I would wear nothing but hippie ‘Earth Shoes’ and blue jeans and get a macho, racing bike, to prove I was not a piano-playing, slide rule pushing gay-boy freak. I dropped subtle hints to my Mom, who was scrubbing floors by day and going to college by night, when she wasn’t leading prayer meetings.

The wintry day had arrived, my 12th birthday — I was sure I would get my bike. My Mom lead me into the tattered but immaculate, lace-covered living room, where my Welsh Grandma sat, next to the matriarchal sewing machine and family Bibles, to unveil my gift.

What’s this? Not an athletic, pump me up and make me butch bike? There, beside Grandma’s cane sat the Polish neighbour lady, Mrs. Szlowkowsky, sipping my Mom’s strong coffee, while smiling and extending her hand.

My church lady Mom and Mrs. Szlowkowsky waved their pasty white hands, like angels guarding the Biblical Arc of the Covenant, over a large, scratched case with broken brass snaps.

Barely breathing, I popped the snaps and caught a vivid vision of my inevitable years of coming persecution: A refurbished, 12-Bass ‘Festival’ Accordion.

The smell of musty billows and mouldy leather made me choke.

“Mrs. Szlowkowsky has agreed to give you lessons, if you agree to help her clean the choir loft at Saint Stanislaw’s Catholic Church on the corner of our street, once a week,” my mother said.

Mrs. Szlowkowsky smiled and offered me a plate of sliced walnut ‘placek’ (Polish coffee cake).

“It’s a ‘festival’ accordion; you’ll like that!” my Grandma said, as I thought to myself, “Whatever ‘festival’ means . . .”

"One day, you'll win the Ohio Welsh Eisteddfod!" my Grandma shouted.

“Thank you, Mrs. Szlowkowsky,” I heard myself saying, as I drifted away, not knowing this quirky, portable polka-playing keyboard was about to doom me to an adult life suspended somewhere between John Candy’s Rustbelt humour and Liberace’s Las Vegas tastes.

And since I mentioned ‘Candy’, have I told how I once knew this girl . . .

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Your Last Chance to see the Welsh One Woman Tour-de-Force Live on Stage: Alex Alderton is winner of Theatre in Wales Best Female Performer

Pictured Alex Alderton, Winner of Theatre in Wales' Best Female Performer, photograph courtesy

Equity Oriel Cardiff

Musical Theatre in the Rhondda -- It's outrageous, it's over-the-top camp, it's funny, beautiful music --it's Judy Garland, and more!

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

A stunning new production of the acclaimed one woman musical play. Starring the beautiful and sexy musical comedianne Alex Alderton, winner of the Theatre in Wales's Best Female Perfomer Award (2006).

It's 1969: Alice Dell is rehearsing her Judy Garland 'tribute' cabaret act. Alice is the look-alike, who has spent her whole career waiting for a chance to impersonate Garland -- a chance that only comes with her death!

"A tribute to the lady, but one that does not shy away from the pain, the pills and the shattered marriages . . . the glory of Garland at her best." (The TIMES)

'Someone Else's Rainbow' just closed to sold-out audiences at Neath Little Theatre, but through special arrangement with the Faculty of CCI, you can see Alex Alderton one more time!

Call Cardiff School of Creative & Cultural Industries (CCI) Now, for directions and information -- Theatr y Bont:

01443 480 480

Wednesday 30 May 2007 6 pm
One Performance Only -- Admission is FREE
Call now for information -- Limited Seating
Theatr y Bont, Forest Grove, Treforest

About the writer of 'Someone Else's Rainbow', Sam Boardman-Jacobs and Found Reality Theatre Company:

Sam has won awards for both design & direction . He was a founder member of the London Fringe designing for the Bush, Soho, Gate, Warehouse, Hampstead & Kings Head Theatres as well as designing for the Habima & Cameri Theatres of Israel, the Scottish Ballet, the Royal Court London, Teatro Modernes Munich, Theater am Goetheplatz Bremen and the Teatro Espanol Madrid.

He has directed his own plays, Play Federico for me & Passion for the Impossible, at the Sherman Theatre Cardiff. Play Federico was translated and published in Catalan and was selected as part of the official centenary celebrations for the birth of Federico Garcia Lorca. He worked for several years with Manchester Youth Theatre creating a series of award winning Holocaust Dramas including Sobol’s Ghetto, And “Fiddler” a radical reworking of Fiddler on the Roof, the European premiere of Paul Simon’s Capeman and co-devising Asylum at Manchester Royal Exchange with Laura Haughey.

Also with Laura he directed Julia Pascal’s The Dybbuk first at Chapter Arts in Cardiff then by invitation at the Huddersfield Festival of European Plays and then at the Edinburgh Festival.

Found Reality Theatre Company

Cardiff School of Creative & Cultural Industries

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Wednesday, 11 April 2007

Irish & Scottish Filmmakers to Shine at London's Wood Green Film Fest 20-22 April

Wood Green International Film Festival

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Saturday, 7 April 2007

Mae Gwyl Ieuenctid Llydaweg yn Dechrau dros y Penwythnos y Pasg


Mae Gwyl Ieuenctid Llydaweg yn Dechrau dros y Penwythnos y Pasg
Youth Festival Kicks Off in Brittany Easter Weekend

Arts in Brittany

Les jeunes en Bretagne


Un rendez-vous unique réalisé par et pour les jeunes en Bretagne !

- Interventions, échanges et rencontres avec des universitaires, chefs d’entreprises, militants associatifs, artistes, journalistes, …
- Conférences-débats, ateliers de discussion et d’initiation, soirées
et animations conviviales
- Espace d’échanges multilingues breton, gallo, français et ouverture à d’autres pays et cultures depuis 2005 : Pays de Galles, Cornouaille, Pologne, Allemagne, Communauté Wallonie-Bruxelles, Galice, Trento italien, Pays basque, Suisse romanche …

Le but des Universités Jeunes en Bretagne, c’est :
- offrir une information riche et diversifiée sur un thème de société
- conduire les participants à une réflexion personnelle et / ou collective sur leur environnement
- apporter une formation, sous forme d’ateliers pratiques, aux outils et moyens de communication utilisés en Bretagne et à travers le monde aujourd’hui

En 2007, l’Université a pour thème :
Des racines pour l’avenir…
Nouvelles formes d’expressions et de diffusions culturelles
Images de la Bretagne et économie
Ou comment la transmission de diverses pratiques culturelles et traditionnelles entre en jeu dans les pratiques économiques, sociales et culturelles de la Bretagne et du monde contemporains ?

Cet événement est mis en place grâce au soutien actif de jeunes adultes, souvent d’anciens participants, travaillant au sein de la Commission jeunesse du Conseil Culturel de Bretagne.

Un emgav dibar savet gant hag evit tud yaouank eus Breizh !

- Displegadennoù, eskemmoù ha kejadennoù gant skolveuridi, pennoù embregerezhioù, stourmerien kevredigezhioù, arzourien, kazetennerien, …
- Prezegennoù-diviz, stalioù-diviz ha stalioù-labour, beilhadegoù hag abadennoù buhezek
- Mareadoù evit eskemm e meur a yezh : brezhoneg, gallaoueg, galleg hag ivez evit dizoloiñ broioù ha sevenadurioù all abaoe 2005: Bro Gembre, Kerne Veur, Polonia, Bro Alamagn, Kumuniezh Wallonie-Bruxelles, Galisia, Trento italianek, Bro Euskadi, Suis …

Skol-Veur Yaouankiz Breizh a zo he fal :
- kelaouiñ evit gwir hag en un doare liesseurt diwar-benn an dodenn gevredigezhel
- lakaat ar berzhidi da brederiañ o unan hag ivez asambles gant ar re all diwar-benn o endro
- stummañ ha kelenn, dre stalioù-labour, ar binviji hag an doareoù da gehentiñ
a vez implijet e Breizh hiziv an deiz.

Tem ar Skol-veur a vo :
An doareoù nevez da ezteurel ha da skignañ ar sevenadur Skeudennoù Breizh hag ekonomiezh
Pe penaos treuzkas an doareoù liesseurt stag ouzh ar sevenadur hag an hengoun er bed ekonomikel, sokial ha sevenadurel a zo hini Breizh hiziv an deiz?

Krouet e vez an darvoud-mañ a-drugarez da dud yaouank leun a startijenn hag int bet alies perzhidi er bloavezhioù tremenet hag a gemer perzh bremañ e Bodad Yaouankiz Kuzul Sevenadurel Breizh.





Friday, 30 March 2007

Les Gallois en Amérique du Nord (Welsh People in Canada)


"Le pays de Galles (annexé à l'Angleterre par l'Acte d'union de 1536) a toujours été dans l'ombre de l'Angleterre, de l'Irlande et de l'Écosse. Un historien écrit que les Gallois, « exception faite de leur langue, n'avaient pratiquement aucun des attributs d'une nation, à part la conviction perverse et persistante qu'ils en étaient une ». La population du pays de Galles (moins de 3 millions d'habitants en 1988) s'est tournée vers l'émigration pour améliorer sa situation."

"Depuis 1960, l'immigration galloise est demeurée faible mais constante, représentant un mince pourcentage de l'immigration britannique. Dans le recensement de 1961, 143 942 personnes se disent d'ascendance galloise. En 1971, ces chiffres baissent à 74 415, peut-être parce que beaucoup de Gallois d'origine sont inscrits comme étant anglais. En 1981, il n'y a plus que 46 620 personnes (0,2 p. 100) qui se disent d'ascendance galloise. Les Gallois ne sont pas enregistrés séparément dans le recensement de 1986, mais celui de 1991 estime leur nombre à 28 190 (réponse unique)."

"Le recensement de 2001 dénombre 28 445 Gallois (réponse unique) et 321 920 autres personnes ayant une certaine ascendance galloise (réponse multiple). C'est en Ontario (142 740) que les Gallois s'avèrent les plus nombreux. Viennent ensuite dans l'ordre la Colombie-Britannique (86 710), l'Alberta (59 470), le Manitoba (14 580), la Saskatchewan (13 935), la Nouvelle-Écosse (12 245), le Québec, (7 455), le Nouveau-Brunswick (7 620), Terre-Neuve (2 790), l'Île-du-Prince-Édouard (1 440), le Yukon (825), les Territoires du Nord-Ouest (490), et le Nunavut (65). Si les Gallois se sont un tant soit peu regroupés, c'est dans les régions minières de l'Ontario, de la Colombie-Britannique, de l'Alberta et des Maritimes. Leur présence est attestée par des toponymes comme Newport et Pontypool (Ontario), Cardiff (Alberta) et Bangor (Saskatchewan)."

On se trouve l'entree ici: http://thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=F1ARTF0008523