Showing posts with label celtic. Show all posts
Showing posts with label celtic. Show all posts

Tuesday, 2 September 2008

Ireland-Wales Symposium 'Romantic Nations' at Cardiff University Oct 24-25 2008




Dear all,

We are writing to let you know that our next AHRC-funded Ireland-Wales symposium will take place on Friday 24th and Saturday 25th October, on the topic of Ireland and Wales: Romantic Nations.

We have attached the provisional version of the programme. Registration details to follow. (The event will be free and open to all and will include lunches, teas and coffees).

Among the highlights of the event is a public lecture by the award-winning Welsh animator Mike Young -

http://www.mikeyoungproductions.com/

- the title of whose talk is "'Taking on the Mouse': Wales, Ireland and the Animation Trade'.

Ticket bookings for this talk have not yet opened, but we'll keep you posted.

Finally, the Cardiff University Wales-Ireland seminar continues into 2008-9.

The autumn lectures will be given by Dr Kirsti Bohata (Swansea University);

Michael Houlihan (Director General, National Museum Wales);
Dr Eamonn Hughes (Queens University Belfast).

Details as follows:

Oct 14 – Kirsti Bohata (Swansea University) ‘George Moore and Caradoc Evans’
Nov 25 – Michael Houlihan (National Museum of Wales) ‘Cultural memory and history in national museum spaces’
Dec 9 – Eamonn Hughes (Queen's University, Belfast) ‘Celtic Crime Fiction’

Seminars take place in Room 2.47, Humanities Building (off Colum Drive), Cardiff University on Thursdays at 5.15 p.m.

Parking in the Colum Drive Car Park is free from 4.30 pm.

For Location Guides, visit
Cardiff University Map


Please note change of day - from our usual Monday slot to Thursdays in the coming year.

We'd be most grateful if you could forward this message to others who might be interested.

Best wishes,
Claire Connolly, Katie Gramich, Paul O'Leary
AHRC Ireland-Wales Research Network


Related news:

Dr. Mark Leslie Woods's recommended Irish and Celtic Studies reading for September 2008:

Film, Media and Popular Culture in Ireland
Cityscapes, Landscapes, Soundscapes
by Martin McLoone



This collection of essays from Martin McLoone takes a new look at
contemporary culture in Ireland through the filter of three main
developments – the ‘Celtic Tiger’ economy in the South, the peace
process in the North and the general rise in Ireland of ‘diasporan
awareness’.



The book considers the impact of these three factors on
the film, television, and music produced in Ireland, mostly since the
1990s, and speculates on how this popular culture reflects both what
has been gained in the new Ireland but also what has been lost.



Specific concerns of the book are the secularisation of Ireland and
popular culture’s assault on the Church generally (and the priest in
particular); the changing cityscapes and landscapes of the new Ireland;

the ‘death’ of politics; sexual freedom and personal liberation; the problem of representing unionist culture in the North; Van Morrison’s Belfast and the rise of ‘possessive individualism’ in Ireland.



The book celebrates the new Ireland but also raises issues about the loss of aspects of Irish identity that were valuable and suggests the need for a new ‘collective imaginary’ that might reinvigorate Irish identity in the new millennium.

AIM: ATRiuM Intelligent Media
Chapter Arts Centre Cardiff
Cardiff School of Creative & Cultural Industries
mwoods[at]glam[dot]ac[dot]uk
Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.
Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.
Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.
Visit the UK Film Studies and World Cinema and Music Import Showcase




© 2008 Dr. Mark Leslie Woods
Smart & Sexy? Your Queer Advantage is waiting!
Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.
Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.
© 2008 Dr. Mark Leslie Woods

Saturday, 8 December 2007

Cardiff Chapter Arts Centre's Film Expert Tony Whitehead Publishes Important New Book on British TV & Film's Mike Leigh



Tony Whitehead is Cinema Programmer at Chapter Arts Centre in Cardiff. He also works as a part-time lecturer in film at the University of Glamorgan. His book on Mike Leigh has just been published by Manchester University Press.

Read the British Film Magazine Online Review of Tony Whitehead's newest book on Mike Leigh here.

Tony Whitehead in among the film students' favourite lecturers at the University of Glamorgan, Cardiff School of Creative & Cultural Industries ATRiuM (CCI) Film & Media department, currently teaching 'Screen Language' and other courses.

AIM: ATRiuM Intelligent Media





[Pictured above: Director Mike Leigh 1943-]

Read Tony Whitehead's article in Screen Online about Mike Leigh.

Read Tony Whitehead's article in Screen Online about Mike Leigh!





Amazon Review:

Tony Whitehead's new book on Mike Leigh is actually enjoyable, not to mention that Leigh himself endorsed it.

It's a wonderful trip down memory lane, revisiting every character and hilariously tragic line of dialogue from Bleak Moments to Vera Drake. Vanessa Gildea, Film Ireland --Vanessa Gildea, Film Ireland

Tony Whitehead writes for the the Irish Film Institute about MIKE LEIGH’S TV FILMS



Amazon Synopsis:

Mike Leigh may well be Britain's greatest living film director; his worldview has permeated our national consciousness.





This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television.



Written with the co-operation of Leigh himself, this is the first study of his work to challenge the critical privileging of realism in histories of the British cinema, and place the emphasis instead on the importance of comedy and humour:

of jokes and their functions, of laughter as a survival mechanism, and of characterisations and situations that disrupt our preconceptions of 'realism'.



Striving for the all-important quality of truth in everything he does, Leigh has consistently shown how ordinary lives are too complex to fit snugly into the conventions of narrative art.

Developing characters and narratives through meticulous processes of improvisation in preparation and rehearsal, Leigh has led his collaborators in creating a body of work that is utterly distinctive.



From the bittersweet observation of "Life is Sweet" or "Secrets and Lies", to the blistering satire of "Naked" and the manifest compassion of "Vera Drake", he has demonstrated a matchless ability to perceive life's funny side as well as its tragedies, establishing a unique niche in the British cinema as both humorist and humanist.

Paperback: 256 pages
Publisher: Manchester University Press (1 May 2007)
Language English
ISBN-10: 0719072379

AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Dr. Mark Leslie Woods

Friday, 7 December 2007

Celebrated in the U.S. Abergavenny Poet Wendy Mulford Returns to Welsh Valleys Mon. Dec. 10 for Glamorgan Afternoon Readings


P O E T R Y R E A D I N G

UNIVERSITY OF GLAMORGAN

(Treforest Campus)

In association with academi literature promotion

Wendy Mulford

Reading her poetry, and in conversation with Alice Entwistle

Monday December 10th 2007

2pm – 3:15pm

Room G311

All welcome!

Wendy Mulford is the author of eight collections of poetry and several works of prose.



Probably best known for her poetry, which started to appear in the mid-seventies, in the context of the rise of the Women’s Liberation Movement, Wendy Mulford was raised near Abergavenny; she spent most of her childhood there and in the Usk valley in Wales.

She now lives in Suffolk having spent many years living and teaching in London and Cambridge.



She has worked inter alia as a croupier, publisher, printer, lecturer, researcher and counsellor, founding, among other things, the influential experimental publishers Street Editions Press in 1972.

Over the years she has given many readings and taken part in numerous literary Festivals in Britain and abroad. She is currently in training to be a Jungian analyst.



Recent/forthcoming publications:

Selected Poems: and suddenly, supposing (Etruscan Books, 2002)

The Land Between: Poems 2000-7 (Reality Street Editions, 2008)

Listening through the nightwood, with Anne Beresford, Herbert Lomas and Pauline Stainer (Orphean Press, 2008)

Wendy’s poetry has been included in Out of Everywhere: linguistically innovative poetry by women in North America and the UK ed. Maggie O’Sullivan (Reality Street, 1996) and will appear in The Shearsman Anthology of Innovative Women Poets ed. Carrie Etter (forthcoming).

It has been discussed in a variety of critical texts, including A History of British Women’s Poetry by Jane Dowson and Alice Entwistle (Cambridge, 2005); her work will also be featured in Alice Entwistle’s forthcoming critical study In These Stones: Women poets writing in and out of Wales (Seren). New poems will appear in issues of Poetry Wales and Artworld.



Poetry by Wendy Mulford:

Poetry :
Bravo to Girls and Heroes – Street Editions, Cambridge , 1977
No Fee: A Line or Two for Free (with Denise Riley) – Street Editions, Cambridge , 1978
The Light Sleepers – Mammon Press, Bath , 1980
Reactions to Sunsets – Ferry Press, London , 1980
River Whose Eyes – ADVOCADOTOAVOCADO, London , 1982
Some Poems (with Denise Riley) – Cambridge , 1982
The ABC of Writing and other poems –Torque, Southampton , 1985
Late Spring Next Year: Poems 1979 – 84 – Loxwood Stoneleigh, Bristol , 1987
Lusus Naturae – Circle Press, London , 1990
Nevrazumitelny – Poetical Histories, Cambridge , 1991
The Bay of Naples – Reality Studios, London , 1992
etruscan reader VII: Alice Notley, Wendy Mulford, Brian Coffey – etruscan books, Buckfastleigh, 1997
The East Anglia Sequence – Spectacular Diseases, Peterborough , 1998
and suddenly, supposing: Selected Poems – etruscan books, Buckfastleigh, 2002

Prose:
This Narrow Place : Sylvia Townsend Warner and Valentine Ackland: Life, Letters and Politics – Pandora Press, London , 1988
The Virago Book of Love Poetry (Ed.) – Virago, London , 1990, 1998
Virtuous Magic: Women saints and their meanings – with Sara Maitland, Mowbray/Cassell, London 1998

Translation :
The Brontës Hats by Sarah Kirsch (with Anthony Vivis) – Street Editions, Cambridge , 1992
T by Sarah Kirsch (with Anthony Vivis) – Reality Street Editions, London , Suffolk , 1995


AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Dr. Mark Leslie Woods

Thursday, 6 December 2007

Friday Night Hungarian Poet George Szirtes Glamorgan Free Twilight Lecture Series Starts 7 December 2007

Professor Tony Curtis at the University of Glamorgan English & Creative Writing courses has announced the guests lecturers for the coming term:

Here are the guest writers for this year: all are at 6.30 in Glamorgan Business Centre, located on the main University of Glamorgan campus in Treforest, Pontypridd on Fridays and are FREE -

Dec 7th, 2007 George Szirtes - poet and translator


[Pictured above: George Szirtes - Hungarian poet and translator]

George Szirtes was born in Budapest in 1948 and came to England as a refugee in 1956. He was brought up in London and studied Fine Art in London and Leeds.



His poems began appearing in national magazines in 1973 and his first book, The Slant Door, was published in 1979. It won the Faber Memorial prize the following year.



After the publication of his second book, November and May, 1982, he was invited to become a Fellow of the Royal Society of Literature.



Since then he has published several books and won various other prizes including the T S Eliot Prize for Reel in 2005.

Having returned to his birthplace, Budapest, for the first time in 1984, he has also worked extensively as a translator of poems, novels, plays and essays and has won various prizes and awards in this sphere.



His own work has been translated into numerous languages.

Beside his work in poetry and translation he has written Exercise of Power, a study of the artist Ana Maria Pacheco, and, together with Penelope Lively, edited New Writing 10 published by Picador in 2001.

George Szirtes - Hungarian poet and translator

Feb 29th, 2008 Grahame Davies - poet, novelist and BBC executive


[Pictured above: Dr Grahame Davies - poet, novelist and BBC executive; photograph courtesy Mauro Philip Conti Photography London-Miami-NYC.]

"One of the clearest public poetic voices of his generation," Emyr Lewis

"An unequalled satirist,” John Gruffydd Jones.

“He sees through the deception and falseness of urban media life better than anyone, and he’s scathing in his vision of the emptiness of city existence...this poet has sufficient mastery of language to disturb and reach the roots of the soul.” Alan Llwyd.

"Poems which brilliantly describe Welsh life in the capital." Peter Finch.

“There’s a new world-view on our everyday lives here, overloaded with memorable images and phrases,” Menna Elfyn.

“He has an incredible gift of expression. There’s scarcely a poem in the volume that doesn’t contain truly original and clever phrases.” Meirion MacIntyre Huws.



Poet, editor and literary critic, born in 1964 and brought up in the former coal mining village of Coedpoeth near Wrexham in north east Wales.

After gaining a degree in English Literature at CCAT (now Anglia Ruskin University) Cambridge, he qualified as a journalist with the Thomson Organisation at Newcastle-upon-Tyne and worked on newspapers in south Wales from 1985 until 1991, since when he has worked for BBC Wales.



His career as a journalist and producer has brought him a number of Welsh and UK industry awards. He is currently Editor Broadcast development for BBC Wales.

In 1997, he was awarded a doctorate by the University of Wales for his study, written in Welsh, of the work of R.S.Thomas, Saunders Lewis, T.S. Eliot and Simone Weil, whom he identified as part of an anti-modern trend in Western culture in the 20th Century.



In 1997, his first volume of poetry, Adennill Tir, (Barddas,) a book arising from the 10 years he spent in Merthyr Tydfil in the south Wales Valleys, won the Harri Webb Memorial Prize.

In 1998, he was second to Emyr Lewis in the competition for the National Eisteddfod Crown.



In 1999, his study of Wales and the anti-modern movement, Sefyll yn y Bwlch, (University of Wales Press, 1999), the product of his doctoral research, was published. It went "straight to the front rank of criticism of our day," according to the critic Dr Dafydd Glyn Jones (Barn), and was described as “a signal book” by the critic Dr Angharad Price (New Welsh Review).



In 2000, he co-edited Oxygen, (Seren) a bilingual anthology of Welsh poets aged under 45.

In 2001, his second volume of poetry, Cadwyni Rhyddid, (Barddas) appeared . It went to a second edition within a few months of publication, won the Wales Arts Council's 2002 Book of the Year award at the Hay on Wye Festival of Literature, together with a prize of £3,000.



In 2002, Seren press published his literary anthology, The Chosen People, which details the relationship of the Welsh and the Jewish people as reflected in literature.

Also in 2002, he edited a 160-page edition of the Bulgarian literary magazine Plamak (“Flame”) dedicated to Welsh literature, the first such anthology of Welsh writing in the Balkans.



In 2002 Ffiniau/Borders appeared from Gomer press, a bilingual volume of poetry jointly with Elin ap Hywel.

In 2003, he chaired the panel of judges for the Welsh Book of the Year Awards. The first prize of £5,000 went to Jerry Hunter's Llwch Cenhedloedd.



In 2004 his first novel Rhaid i Bopeth Newid, was published by Gomer. It was longlisted for the £10,000 Book of the Year prize, 2005, and was described by Lord Dafydd Elis-Thomas in Taliesin as 'the first post-national novel.'

Also in 2004, his selection of Welsh poetry in Asturian translation appeared in Spain from Kêr ar Mor press under the title Nel país del borrina (The Country of the Clouds).



In 2005, his selection of Welsh poetry in Galician translation appeared under the title of No país de la brétema from VTP Editorial.

In 2005, Seren published The Big Book of Cardiff, an anthology of contemporary writing about Cardiff, co-edited by Peter Finch and Grahame Davies.

Also in 2005, his third volume of original Welsh-language poetry appeared from Barddas, under the title Achos (Cause).

In 2006, his anthology of work by and about refugees and asylum seekers in Wales, Gwyl y Blaidd / Festival of the Wolf, appeared from Parthian/Hafan, edited jointly with Tom Cheesman and Sylvie Hoffman.

In 2007, Seren published Everything Must Change, an English-language novel based on the successful Rhaid i Bopeth Newid.



Also in 2007, Seren will be publishing Real Wrexham, a work of psychogeography in the Real series edited by Peter Finch.

He is a full member of the Welsh Academi and was the Welsh-language editor of Poetry Wales magazine for several years until 2002. He won the vers libre prize in the National Eisteddfod in 1994, the sonnet prize in 2004 and the Welsh Academi’s Stomp competition in 2001.

His work has been translated into several languages, including English, German, Latvian, Maltese, Bulgarian, Polish, Asturian and Galician, and is widely anthologised, appearing in publications as diverse as The Times, The Times Literary Supplement, Poetry London, the Literary Review in America, Orbis (#136 Spring 2006) and the Yearbook of Welsh Writing in English.

He is a frequent contributor of articles and reviews to journals such as Poetry Wales, Barn, Taliesin, Planet and New Welsh Review, and his poetry is on the syllabus for school pupils in Wales.

Dr Grahame Davies - poet, novelist and BBC executive



May 9th, 2008 Niall Griffiths - novelist.


[Pictured above: Niall Griffiths - novelist]



The BBC Wales Profile on Niall Griffiths writes that:

"Niall Griffiths was born in Liverpool and has since moved to Aberystwyth. Both towns have a strong hold on his imagination. His first two novels were set on the west coast of Wales, his third re-visited his native city."



"His novel Stump traces a trajectory of violent retribution between Liverpool and Aberystwyth, following two shell-suited gangsters on their journey from Merseyside to the seaside town to settle a score."



"There has always been a strong Welsh influence in Griffiths' life. He was born to a Toxteth family with Welsh roots, in 1966."



Niall Griffiths Official Website

Academi -- Welsh Academy of Writers




Many prestigious published and award-winning authors and poets
teach on our the University of Glamorgan English & Creative Writing , so students and colleagues can be confident they’re getting the best teaching and support.



We also use our experience to help students forge working relationships with industry professionals.



The university has an outstanding reputation for creative writing. The subject was one of 12 areas rated “Excellent” by the Government’s Teaching Quality Assessment body.



In the most recent Research Assessment Exercise (RAE), English was awarded a grade 4 rating, equivalent to national excellence in all areas.



For additional info please contact Dr. Mark Leslie Woods at mwoods[at]glam.ac.uk

AIM: ATRiuM Intelligent Media

AIM -- ATRiuM Intelligent Media, Cardiff, Wales, U.K. on Face Book

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods

Saturday, 3 November 2007

Welsh Capital's Newest Neighbour: Centre for the Study of Media and Culture in Small Nations Announces Exciting Cardiff ATRiuM Calendar of Events

The Centre for the Study of Media and Culture in Small Nations Announces Cardiff ATRiuM Calendar of Events . . .

In the Autumn Term and beyond we will be building on our research work through an exciting series of lectures, symposia, publications and other projects.

ATRiuM move:

The Cardiff School of Creative and Cultural Industries has moved from the University's Treforest campus to our new ATRiuM home in Cardiff city centre. With ‘state of the art’ facilities this will offer exciting opportunities for joint work with new partners.



Symposium: ‘The Representation of Welsh Identity Abroad’ 13-14th November 2007

On 13th and 14th November 2007 the Centre for the Study of Media and Culture in Small Nations is hosting a symposium on The Representation of Welsh Identity Abroad. The Keynote Address will be delivered by First Minister, Rhodri Morgan AM, on the evening of Tuesday 13th November.



[Pictured above: Welsh National Assembly First Minister: Rhodri Morgan]

On Wednesday 14th November, a diverse group of arts and cultural practitioners and academics will address the symposium theme through a series of focused conversations and group exercises. These discussions will be set within the context of what is now a key economic sector, the creative and cultural industries.



[Pictured above: The Smithsonian Institute in Washington, D.C.]

We are most fortunate to have Dr Betty Belanus, Curator at the Smithsonian Institution’s Center for Folklife and Cultural Heritage, as a participant at this symposium. Dr Belanus is currently a Visiting Research Fellow with the Centre for the Study of Media and Culture in Small Nations.



The symposium will be held in the ATRiuM, the University of Glamorgan’s new faculty in Cardiff city centre.

Please contact Jackie Aplin (address below) for a registration form and further details.

Public Lecture on Small-Nation Filmmaking by Professor Mette Hjort, 5.30pm Weds 28th November 2007



Pictured above: Dr. Mette Hjort]

Mette Hjort was born in Denmark but educated in Kenya, Britain, Holland, Switzerland, Canada and France. She did her B.A. and M.A. at McGill University in Quebec, Canada, where she did a thesis on Kant and art under the supervision of the Canadian philosopher and political theorist, Charles Taylor.



She holds a so-called ‘nouveau doctorat’ from the Ecole des hautes études en sciences sociales in Paris. Her dissertation, entitled ‘Le procès du spectacle’ was written under the supervision of Louis Marin and focussed on anti-theatricality (pamphlet literature and treatises) in seventeenth century France and sixteenth century England.



Mette Hjort was for many years Associate Professor of English at McGill university, where she was Director of Film and Communications.



She moved to Denmark in 1997 for personal reasons and is currently on leave from her position as Professor in the Department of Languages and Intercultural Studies at Aalborg University.

Professor Mette Hjort Official Website



Mette Hjort is interested in the history of drama, critical theory, philosophy and literature, and minor cinema. She has published The Strategy of Letters (Harvard UP) and, with Ib Bondebjerg, an interview book entitled The Danish Directors: Dialogues on a Contemporary National Cinema (Intellect).

She is editor or co-editor of Rules and Conventions (Johns Hopkins UP), Emotion and the Arts (Oxford UP), Cinema and Nation (Routledge), The Postnational Self (U of Minnesota P) and Purity and Provocation: Dogma 95 (British Film Institute Publications).



'Small Nation, Global Cinema', a book focusing on the challenges faced by small nations in an increasingly globalized media culture, was recently published by the University of Minnesota Press, in the Public Planet series.

A monograph on Stanley Kwan's 'Center Stage' is forthcoming with the University of Hong Kong Press, in the Hong Kong Film Classics Series.

Mette Hjort is Series Editor, with Peter Schepelern, of a new Nordic Film Classics Series that will feature books by James Schamus (on Dreyer's Gertrud), John Hall and Charles Lindholm (on Bent Hamer's Kitchen Stories,) and many others.



Distinguished academic Professor Mette Hjort will be speaking at ATRiuM at 5.30pm Weds 28th November. In her only public talk in Wales, Professor Hjort will deliver a lecture on The 'Advance Party' Initiative: Scottish/Danish Solutions to the Problems of Small-Nation Filmmaking.



'Advance Party' is a Scottish Dogme project which sets out to do for Scotland what director Lars von Trier's Dogme 95 had done for Denmark. Professor Hjort will examine how this unique model of transnational filmmaking helps to provide solutions to the problems of small-nation filmmaking.



Professor Hjort is the Leverhulme Visiting Professor of Film Studies at St Andrews in Scotland and Professor of Visual Studies at Lingnan University in Hong Kong. She has published Small Nations, Global Cinema, and co-edited volumes including The Cinema of Small Nations, Cinema and Nation, The Postnational Self and Purity and Provocation: Dogme 95.

Smithsonian Institution Visiting Fellow

Folklorist Dr Betty Belanus, Curator at the Smithsonian Institution’s Center for Folklife and Cultural Heritage, has joined the Centre as a Visiting Research Fellow and is undertaking preparatory work for the Smithsonian Festival's focus on Wales in 2009.

2007 Smithsonian Folklife Festival, Washington, DC



Since arriving, Dr Belanus has been engaged in an active period of fieldwork which has also involved consultative planning visits around Wales.

Smithsonian Internship

Glamorgan postgraduate student Dr Aparna Sharma has successfully completed an internship which was developed in collaboration between the University of Glamorgan and the Smithsonian Institution.



[Pictured above: Madhvi Dalal, 31, a dancer of Indian origin who currently lives in Cardiff, who is featured in research and articles by Dr. Aparna Sharma]

Please click here to read: A Step Ahead by Aparna Sharma

Aparna, who recently completed her PhD, is a documentary filmmaker and journalist with a particular interest in the visual representation of minority cultures and national and cultural identities.

Centre 'Round Table'

The Centre for the Study of Media and Culture in Small Nations held its first Round Table working lunch event in June. Expert practitioners with an interest in the Centre’s concerns were brought together to share their thoughts and inform future work.




[Pictured above: Patricia Aithie "Valleys, Wales" oil on canvas 2007 40 x 50cm sold}


The guests were photographer and painter Patricia Aithie; Artist and commentator Iwan Bala; Broadcaster and former BBC Wales arts correspondent Jon Gower; and Electoral Commissioner, Ofcom board member and former BBC Wales & ITN political editor Glyn Mathias.



A wide ranging discussion covered links with other minority cultures, particularly Galicia, cultural diversity, tribalism, faith, the decline of ideologies, democratic engagement and more.

Another event with new guests is planned for the Atrium in early 2008.



Other items of interest . . .

Channel 4: The First Twenty-Five Years

BFI / Channel 4 Conference, 17 –18th November 2007

Professor Steve Blandford, Associate Dean, Cardiff School of Creative and Cultural Industries, will present a paper on C4 and National Voices - S4C and Cinema at the British Film Institute's conference on the first 25 years of Channel Four.



British Film Institute's conference on the first 25 years of Channel Four

Communication in the Age of Suspicion: Trust and the Media



This volume, edited by Dr Vian Bakir and Dr David Barlow, includes 14 international contributions which examine a number of media genres and media forms.

Communication in the Age of Suspicion: Trust and the Media

To make your reservation for the conference you must quickly contact Ms. Jackie Aplin, at the Centre for the Study of Media and Culture in Small Nations:

Cardiff School of Creative & Cultural Industries / ATRiuM
The University of Glamorgan Adam Street Cardiff CF24 2XF
Email: jsaplin[at]glam[dot]ac[dot]uk
Web: http://culture.research.glam.ac.uk/

http://icwales.icnetwork.co.uk/news/feature-news/2006/11/22/small-nations-big-subject-91466-18137212/

AIM: ATRiuM Intelligent Media

Chapter Arts Centre Cardiff

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Dr. Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Click here to go directly to my personal blog page called Queer Advantage, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Dr. Mark Leslie Woods

Thursday, 5 July 2007

Looking for Worldwide Celtic Music News and Discussions?



There's a fabulous place to meet others interested in Celtic Music and Celtic Dance:

Yahoo! Celtic Cafe Group Forum

"The purpose of this list is to connect Irish dance and Celtic music fans all over the world, keeping list members informed about various events, musical groups, and Irish dance shows like Michael Flatley's Lord of the Dance, Feet of Flames, and Celtic Tiger, Riverdance, Dancing on Dangerous Ground, Gaelforce Dance, Spirit of the Dance, Rhythm of the Dance, To Dance on the Moon, etc.



We encourage discussion of books as well, and in fact, anything that involves "Celtic culture" is welcome for discussion on the list."



You may also wish to bookmark the Celtic Cafe website at:

The Celtic Cafe

For a listing of many of our other Celtic Cafe mail lists, go to: http://www.celticcafe.com/Guides/onelist.htm



Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Friday, 22 June 2007

For Immediate Release: The New Welsh Blog Awards 2007 Organizers Announce Internet Competition Launch Today



Pictured above, Red Dragon Logo for the Welsh Blogs Awards and an image capture of the Welsh blog 'Blamerbell Briefs', recent winner of the prestigious "The Centre de Formation des Journalistes (CFJ) and CNN" -- "CFJ/CNN European award for the best student news blog"

For Immediate Release: Welsh Blog Award Organizers Announce Competition Launch

Wales, United Kingdom. His name is Sanddef (pronounced San-they) and he's fluent in at least four languages and lists Quantum Physics among his hobbies, as well as being a student in Bangor.

But online his blogosphere mates know him as the affable 'Ordovicius', and these days, with a blog by the same Latin name, he's dedicating a discrete amount of his energy to creating and launching the first Welsh Blog Awards 2007, or as it's called in Welsh, Yr Academi (the event and group are bilingual, Welsh/English).

Ordovicius

It's still not clear whose brainchild the Welsh Blog Awards is, but the online rumour mills also point to another Welsh wunderkind, Dr. Daniel Cunliffe at the University of Glamorgan. Cunliffe has a blog called Datblogu.com.

Datblogu.com

Other Welsh bloggers have already joined the group and are putting their energies and ideas into the launching the event.

Chris Cope is an American who taught himself to speak Welsh, and is now doing a degree in Wales, after relocating with his wife to South Wales.

Chris Cope

Another Welsh blogger involved in the awards is Cardiff University journalism student Ciaran Jenkins, aka "Blamerbell Briefs.com."

Blamerbell Briefs is the Welsh blog mentioned above, which is exemplary of the fine blogospheric world being generated by the tiny Celtic nation of Wales.

CFJ/CNN writes: "Ciaran's blog has become one of the most popular blog in the region of Cardiff. Politicians intervene on it, Medias respect it and the author is pretty amazed by his success which he would not have envisaged a few months back."

Blamerbell Briefs

Alan is a Welsh ex-pat in Brazil, fluent in Welsh and Portuguese, with a blog called Y Ddraig Goch, or Welsh for "The Red Dragon", the iconic symbol of the Welsh nation, going back to Roman times.

Y Ddraig Goch

Mark Woods lives in Miami Beach but has spent the past four years in Wales completing a Ph.D. in Film.

Woods says, "My film students forced me to become a 'New Media expert' since now we regularly digitally format and load our short films onto sites like YouTube and Yahoo Video. In today's world, Blogging and Film Studies go hand-in-hand."

Woods has a Welsh American Genealogy blog. Woods is using his background as a former owner of a public relations service in Miami, to help promote the fledgling group online.

Welsh American Genealogy

Woods says, "When I got to Wales I looked around and it reminded me of Microsoft in Seattle. The high quality of life, the mountains, the mild, wet weather and the obsession wth coffee bars and computer geeks is just like the Pacific Northwest, only it's in Western Europe!"

Woods says' "The group is in their early days and is looking for corporate sponsors and new members. Anyone can volunteer. We'd like to see local merchants and tourism companies from across Wales, all being encouraged to donate prizes and cash to assist the group."

Various social events and networking parties are being discussed, along with a showcase 'Awards Night'.

Many other Welsh bloggers, not mentioned here, have already helped to launch the awards project. Categories reflect the national bilingualism of Welsh and English, and include comic, political and cultural topics.

Group members tell how this is a reaction to other British blog awards centered mostly in London, which leave out the Welsh aspect, or miss the local talent.

Woods points to a similar situation with the film industry in Wales:

"There are the British BAFTA Awards and there are the BAFTA Cymru (Wales) Awards, and both are important to the worldwide valuation of films in Europe and abroad."

"The Welsh Blog Awards could easily grow to a similar global prominence as BAFTA Cymru," Woods predicts.

To join the Academy you will have to open a FaceBook account and then visit
http://www.facebook.com/group.php?gid=2393167778

Welsh Blog Awards 2007

NOTE: YOU WILL HAVE TO JOIN THE 'WALES' NETWORK

Bloggers who for any reason are unable to join this group but who wish to join the Academy should email Sanddef aka Ordovicius(at)gmail(dot)com

The Welsh Blog Awards 2007 have decided their set of categories and announced how you can become part of the "Academy" which enables you to nominate and vote.

Group Info: Yr Academi: The Welsh Blog Academy

Type: Internet & Technology - Cyberculture

Description: Bydd aelodau'r academi yn gallu enwebu blogiau ar gyfer y Gwobrau Blogio ac wedyn yn gallu bwrw eu pleidlais.

Members of the Welsh Blog Academy will be able to nominate blogs for the Welsh Blog Awards and later will be the ones who vote for the finalists.

Contact Info:
Email: Ordovicius(at)gmail(dot)com
Website: http://welshblogawards2007.blogspot.com/

Yr Academi: The Welsh Blog Academy

Press Contact:
Mark Woods, Cardiff School of Creative & Cultural Industries, University of Glamorgan

Cardiff School of Creative & Cultural Industries

mwoods[at]glam[dot]ac[dot]uk

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Thursday, 21 June 2007

Sexy Welsh God Again Tops America's Summer Weekend Hollywood Boxoffice



Pictured above: Welsh actor Ioan Gruffudd, star of the Fantastic Four (2007)

Welsh actors dominate as Hollywood's Libido Lifeblood for four decades . . .

Is there ever a time when the 'Land of Song' doesn't dominate and control the starring roles of Hollywood?

Ifor Novello, Richard Burton, Anthony Hopkins, Jonathan Pryce, Christian Bale, Siân Phillips, Emlyn Williams, Catherine Zeta Jones -- I'm running out of breath!

And now Ioan Gruffudd's sexy comic book character is 'stretching' across America!

According to the Hollywood Reporter

'Fantastic Four' scores with $57.4 million debut weekend
By Gregg Kilday
June 18, 2007

"20th Century Fox's "Fantastic Four: Rise of the Silver Surfer" rode a commanding wave to the top of the North American boxoffice during the weekend, finding a broad-based audience with the help of a family-friendly PG rating."

"The original "Fantastic Four," with a PG-13 rating, opened to $56.1 million in 2005, and its sequel didn't lose any momentum and outgrossed its predecessor with an estimated bow of $57.4 million."

Didn't anyone see Ioan Gruffudd speaking Welsh on the Graham Norton Show a couple months ago?

More on the sexy Welshman later . . .

Here's one for your summer reading list: Professor Peter Stead's "Acting Wales, Stars of Stage & Screen" (2002) University of Wales Press.



Gyda bob hwyl i bawb, Mark

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Wednesday, 20 June 2007

The Foreign Hitchhiker's Guide to the Universe called Wales -- Welsh Blogosphere: Part I


Pictured above, image capture of the Welsh blog 'Blamerbell Briefs', recent winner of the prestigious "The Centre de Formation des Journalistes (CFJ) and CNN" -- "CFJ/CNN European award for the best student news blog"

Llongyfarchiadau / Congratulations to Ciaran!

Blamerbell Briefs aka Ciaran Jenkins -- Cardiff School of Journalism, Media & Cultural Studies

CFJ/CNN writes: "Ciaran's blog has become one of the most popular blog in the region of Cardiff. Politicians intervene on it, Medias respect it and the author is pretty amazed by his success which he would not have envisaged a few months back."

Blamerbell Briefs is the Welsh blog mentioned above, which is exemplary of the fine blogo-glossolalia being generated by the tiny Celtic nation of Wales.

Most of our readers are Welsh, but increasingly we get emails from folks in America and Australia or Canada.

If you've wandered into virtual Wales from Canada or Australia or the U.S. and you're trying to make sense of this quirky territory in the Internet, perhaps we can be of some help:

Rather than begin our introduction to the Welsh blogosphere by listing and criticizing specific blogs, let's instead establish some general ideas.

1) Wales is a European 'Small Nation' , which is bilingual English/Welsh. Welsh is a minority language with a few special protections in Wales and Europe (more are needed).

As you might think, it's easy to be a BIG FISH in a small pond with anything related to the culture of so-called 'Small Nations'. Relatively few folks in Wales have discovered the blogging world, if you compare Wales to India or China or North America.

Consequently, if you start a blog in Wales, you can more quickly distinguish yourself, than if you start a blog in New York City or in Bombay.

Here's an analogy: If you open an Thai Cuisine take-away (fast-food restaurant) in a remote Welsh village which has never had a restaurant that wasn't also a mews (horse stable) converted to a pub (beer garden or tavern), then you're going to be instantly famous in that village, and in that Welsh region.

[And the Welsh villagers are probably going to be amazed about Thai food (found on every street in Toronto, L.A., Miami or New York) since they are nuts about Indian and Pakistani food in the UK!]

So it goes with Wales. Start a Sci-Fi blog in California and everyone yawns. But start a Sci-Fi Blog in Wales, and you're one of the first!

2) Also, Wales is a country which has been deeply divided by language -- everyone speaks English, and about 20% of the folks also speak Welsh 'Cymraeg' as their first language.

People who speak Welsh are constantly on guard against the encroachment of English on their language. The Welsh have good reason to feel this way, since England as a country has had at times, what some might call 'arrogant' ways of forcing their English language on others, especially during their Imperial military / colonial history.

So if you wander into a Welsh-speaking blog and speak English, you might get blanked or ignored, since these folks built their blogs intentionally to support their minority language.

Some Welsh-speakers might even be rude and nasty to you, because they have a lot of pent up anger about English encroaching on their native language. Try to ignore the nasties.

3) The Internet is generally a tolerant, generous and welcoming place. This is mostly true for the Blogosphere of Wales, as well, but not always.

Some of the reasons you might experience intolerance in Wales, are that Wales has had this highly politicized issue of nationhood with England/Britain, and internal controversies about language.

There are also areas of Wales, where folks suffered great economic deprivation, and this has effected their knowledge, atttudes and reaction to outsiders.

There are also divisions within Wales of race, religion, economic status and educational status, just as there are in pockets of hatred and paranoia in the Middle East, Asia, Africa and North America.

Traditionally, folks in Britain (including Wales) tended to be more obsessed with 'class consciousness', a concept foreign to many in North America.

Quick Class Tanslator:

American "Middle Class" = British "Working Class"
American "Upper Middle Class" = British "Middle Class"
American "Pain-in-the-ass-rich-jerks" = British "Peerage"
American "a soft, privileged rich-boy whiner like George Bush" = British "Royals" (no offense to the Royals)

Attitudes, which folks from metropolitan areas of North America might associate with the parochial and exclusionary attitudes of 'Small Town mentality' and 'social incest', can sometimes prevail in Welsh circles, and even lap up onto the sophisticated shores of Cymru's blogosphere.

How does this effect the curious foreigner who is cruising the net, and fancies learning something about Wales, maybe even considering moving to Wales, doing business in Wales, or taking a vacation in Wales?

Assume you know nothing about the politics of Wales, and assume you will get it wrong if you try. Wales appears about as bizarre as the rest of Britain when it comes to parties and alliances, (at least in the minds of most Americans, used to the monolithic simplicity of two-party politics).

On the other hand, Wales and most of Britain is child's play compared to the fluidity of political groupings in the labyrinthine jungle called French or Italian politics.

Don't make the silly mistake of assuming that Wales is a 'part of England.' This will get you a lot of angry responses, since the question of nationhood for Wales is wrapped up in this ancient identity thing, summarized by some local historians this way:

"We're Welsh, which means first of, that we're NOT English."

To the outsider this can be confusing, since the geographical distance from Essex (East England) to Cardiff (capital city of Wales) is shorter than the geographical distance from Long Island to New Jersey, but humor the British, they can get very emotional about this national identity issue, at times.

There's even a party which advocates that England separate from the Union of Great Britain, which might seem physically impossible to the outsider!

I suggest that you do a little research and discover from say, Wikipedia, some of the quick, basic ideas about Wales and her long and complicated history and culture.

What you will discover is that, for a small nation, Wales is anything but 'small!' This tiny country is just bursting with vitality and near-geniuses! Most of the Welsh are extremely well-educated and well-read, and travel a lot.

As a people they are bright and warm and friendly, and they can be very entertaining, as well.

Be prepared to meet some of the most bizarre and eccentric people, and some of the most ordinary and lovely folks on the planet, in Wales.

About Welsh language and cliches: Welsh is an ancient and beautiful (some would even say 'magical') modern European language; If you don't understand something, or if someone says something, feel free to ask them to translate. You'll be glad you did!

For general stuff about Wales and other Celtic Nations (Ireland, Scotland, Cornwall, Manx, Breton) visit the Celtic Cafe.

Two places to begin finding Welsh blogs are here:

Blog Cymru.com

Brit Blog.com

Gyda bob hwyl i bawb, Mark

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Tuesday, 19 June 2007

The Future of Welsh Rugby Part I: Nude Ohio 'Babes' and Naked Frenchmen




Pictured above: Agustin Pichot from 'Gods of the Stadium' French Rugby calendar 2004; The semi-nude women's rugby calendar that led to upset in the Maori community; Ohio Oberlin naked 'babes' crouched in a scrum.

[Welsh Rugby, Coal Miners and Male Choirs -- all sacred symbols of national identity? This is Part I of an article which examines the mythos of iconic athletic maleness in Wales.]

Much has been written about the importance of rugby in Welsh society, as part of the construction of masculinity for a post-industrial society.

Now the icon of the rough, scruffy, muddy-faced rugby male is being exploited and challenged.

David Beckham has turned the male footballer into a male object of desire, first plastered on walls in Paris and Milan, and soon to be exploited by Hollywood.

Is this the future of rugby in Wales?

And what does the apparent morphing of Welsh Male Rugby Icon into a male sex object have to say about modern Welsh nationalism?

For example, a French male rugby team's members have been producing a calendar for several years, which was first a run-away best seller with the worldwide female 'Play Girl' audiences.

The calendar is called the 'Gods of the Stadium' or 'Dieux de Stade' in French.

Seduced by their success the French rugby players have intentionally enlarged their appeal by filming two years of DVD documentaries called the 'Making of Gods of the Stadium'.

This has catapulted the French male rugby players to international stardom, mostly because of their popularity with gay men in North America.

Not to be out-done, women at Oberlin College in Ohio have been making their own rugby calendar for several years.

(Oberlin College is famous as being the small, liberal arts college in the U.S. which graduates the highest percentage of students who go on to finish Ph.D.s)

Rugby is important to the construction of the Welsh male identity, and has reached iconic statue, mostly carried by the unexpected commercial success of a film by BBC director John Hefin called 'Grand Slam (1978)'.

'Grand Slam (1978)'.

According to a synopsis written by Reece Lloyd for IMDB:

"A group of Welsh rugby fans go over to see Wales play France in the final match of the Six Nations rugby tournament. Caradog Evans (Oscar-winner Hugh Griffith) goes there also to seek an old flame from his wartime combat in the 1940s."

"His son, finds a love in Paris too. Contains very frequent nudity, some bad language, and brief violence."

In Welsh academic circles, a discourse about the shattering of the traditionally male and iconic identity of the rugby player, has been developing over time.

This specifically Welsh, filmic and gendered discourse has only just started, with the Cyfrwng Welsh Media Journal’s examination of Welsh masculinity in Stanley Baker’s ‘Welsh Western’, Zulu (1964) (Cyfrwng Journal -- Shail 2002: 11-25), and in Peter Jachimiak’s examination the Welsh film Grand Slam (1978) (Cyfrwng Journal -- Jachimiak 2006: 91-106).

John Hefin produced for the BBC, Grand Slam (1978).

Grand Slam has been called the ultimate Welsh 'Lads' video, and is celebrating its 30th anniversary with brisk DVD sales continuing unabated.

Many Welsh female partners tell stories about their husbands 'stocking up the house for the weekend with cider and sarnies', and then inviting a crowd of men over to watch Grand Slam 'several times in one weekend' -- almost like some modern, Welsh male tribal bonding ceremony -- a Welsh male rite-of-passage that re-affirms Welsh heterosexual maleness, while it reinforces a Welsh national and individual sense of 'Welsh Identity'.

Grand Slam is among the best-known Welsh films with domestic audiences, and holds an iconic place in Welsh history and culture Grand Slam (directed by John Hefin, 1978) is not only a film of Welsh origin primarily aimed at a Welsh audience, but – in relation to the reproduction of Welshness and Welsh masculinity in particular – is often seen as a celebratory cultural event (Jachimiak 2006: 91).

Jachimiak’s analysis and conclusions about Grand Slam are built upon some the same generalizations about constructions of masculinity described by John Beynon in his recent book on 'Masculinities', upon some specifically British imperial / post-imperial constructions described by Canadian scholar Christopher Gittings, and upon some specifically Welsh constructions, as described by Welsh scholars Charlotte Aull Davies and Stephanie Jones:

"I believe that in Blaengwyn, masculine identity formerly associated with mining in the community has been transmuted into a masculinity expressed through playing and supporting rugby, the identification of the rugby sport of Wales" (Jones and Davies 2003: 27).

Cyfrwng Welsh Media Journal Online

We mentioned the possibility of seeing in these Welsh films, evidence of a trajectory, revealing an evolution in the ways in which sexuality and gender are treated.

This trajectory might parallel or inform another longer trajectory of Welsh masculinity, as it relates to and constructs a sense of Welsh nationalism.

For example, Davies and Jones noted above, their theory that the fiercely independent and proudly autonomous coal miner, (which was a long held construction of Welsh masculinity, which has come to symbolize Welsh nationalism and historic degrees Welsh political and economic independence), and has since morphed into the activities and male-centric mythos of rugby.

So we have Frenchmen appealing to their gay audience with videos and posters on E-Bay, and even women in New Zealand have stripped off their rugby jerseys for charity.

The New Zealand women went too far, and offended native national identity:

According to the BBC:

"An English women's rugby team caused upset in New Zealand's Maori community when their fund-raising calendar included a picture of a topless haka. The team said the image was based on the ceremonial war dance but they did not mean to offend, and apologised."

Read about the semi-nude Oberlin College women who play rugby here in the Oberlin Review

According to an article in the Oberlin Review, the mission of the female rugby players was to challenge the 'male myth' of what constitutes 'female beauty':

"Part of this statement (which is on the cover of the calendar) disassociates the rugby calendar from stereotypical Playboy calendars:

“In a society that brands female competitive sports athletes as masculine, this calendar parodies the standard beauty myth, by juxtaposing the concept of the seductive and submissive pinup with images of women who assert themselves not only as strong athletes, but also as empowered women.”

The Oberlin women are intentionally shattering the myths around male-dominated rugby, and perceptions of women in sports. But what does this do to the traditional Welsh icon of maleness, wrapped in male rugby jersey (or now, shirtless men in France)?

Some men in Wales might be asking, "Is nothing sacred?"

Others might ask, "What could be next? Gay Welsh Rugby?" More in Part II . . .

Gyda bob hwyl i bawb, Mark

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Visit the UK Film Studies and World Cinema and Music Import Showcase

© 2007 Mark Leslie Woods

Smart & Sexy? Your Queer Advantage is waiting!

Monday, 18 June 2007

Sci-Fi Fans Debate BBC Wales Dr. Who: Lazy Low-Budget or Funky British 1950s meets 2007 Retro-Futurism?



Pictured above: the current BBC Wales retro-futuristic 1950s British Police Box TARDIS Time Machine and comic book cover of H.G. Wells' Time Machine.

In the Sci-Fi blog called

Difference Engine,

pgrehan writes:

"I’ve learnt that you have to look past the sillier aspects of a Russell T.Davies Doctor Who story. Like, for example, at the very end of the Universe, countless billions of years in the future, you will find human beings as we know them today."

pgrehan also tells us that :

"Human beings driving 21st century trucks and firing 21st century weapons, just before they board their interstellar (can you still say that when there aren’t any stars left?) spacecraft. The explanation given for this is that human beings have somehow re-evolved into their favourite form, but this smacks of a lazy writer using technobabble to reduce science fiction to a branch of fantasy."

So we see that the writer 'pgrehan' (above) makes some good Sci-Fi Theory / critical points, but from an American perspective, Dr. Who has always reminded me of a broadcast British sci-fi style which smacks of intentionally low-budget retro-futurism.

Kubrick’s low-key approach to ‘Future Britain’ in Clockwork Orange (1971) is probably the best British example of intentional retro-Futurism, but Woody Allen also uses it to comic effect in Sleeper (1973).

In other words, not attempting to create futuristic verisimilitude, and settling for what you describe as ‘lazy’, is actually a self-reflective activity of the film’s author.

European filmmakers observed how Japanese Monster films played in the post 1960s U.S. television market, and resisted being pushed (by budgetary limits) into becoming a similar caricature of themselves.

To accomplish this, directors like Hitchcock opted for a minimalist understatement, which masked the relatively low-budget, low quality special FX of their productions, and The Birds (1963) is a good example.

Dr. Who on the other hand, has always been read as a ‘Jules Verne’-style retro-Futurism by American audiences, and that funky and clunky lack of attention to details has made the story more important than the FX and mise-en-scene.

Willy Wonka is the height of self-deprecating Victorian retro-Futurism, displayed in the first film (1971), but sort of parodied by Tim Burton in a gritty, timeless past/future Industrial reality in Charlie and the Chocolate Factory (2005).

The current Dr. Who might be seen as derivative of Terry Gillam’s Brazil (1985), which trademarked funky Brit retro-future sci-fi for good.

So from our perspective, Russell is simply following an established tradition, and giving his larger U.S. audience what they expect of this brand of Brit Sci-fi.

Our North American readers who are fans of Dr. Who should be sure to check out the UK Sci-fi blog

Difference Engine,

Gyda bob hwyl i bawb, Marc Miami ym Mhontypridd

Click here to go directly to my personal blog page called Welsh-American Family Genealogy, on the World Wide Web.

Click here to go directly to my personal blog page called Welsh Music, Film, and Books Symposium, on the World Wide Web.

Click here to go directly to my personal blog page called Celtic Cult Cinema on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai Razing Ziggurats, on the World Wide Web.

Click here to go directly to my personal blog page called Mordechai's Post-Evangelical-Granola on the World Wide Web.

© 2007 Mark Leslie Woods